Witch Hunt - history told in music, sound, and story

The history of the 1692 Salem Witch Trials told through music and story-telling in a format recalling an old time radio drama with a modern experimental prog-rock twist. Witch Hunt borrows freely from original sources of information from the time of the trials such as letters, books, poems, transcriptions of the trials themselves, as well as melodies from the Puritan hymn books. The music is highly original art-rock ranging from soft ambient soundscapes to heavy power riffs with many other stops along the way. The narrator provides a story teller voice that weaves a historical thread throughout each episode. Witch Hunt is conceived, written, and produced by Brian O'Connell, who records and produces the show, playing a wide variety of instruments and voice parts. O'Connell is a well known bassist and composer in New England who has performed with: Arukah, Dead Man's Waltz, Uncle Sammy, Gordon Stone, Gary Backstrom, Dave Brunyak, Interminable, and many others. In 2012 Brian debuted his rock opera Over The Line, a Jungian journey through modern consciousness, for a successful series of performances in Boston. Brian O'Connell - voice, 6 and 12 string guitars, fretted and fretless bass, upright bass, touch guitar, sintir, keyboards, moog synth, percussion Mike Harmon - drums, cymbals, percussion Rachel Koppelman - accordion www.brianvoconnell.com

All Episodes

Witch Hunt - history told in music, sound, and story

Episode 5 - Examinations

October 30, 2023 • Episode 5

https://www.patreon.com/Witch_Hunt

The three suspected witches are now in custody in Salem Village and are publicly examined by colonial magistrates at the Meeting House. The first two suspects, local beggar woman Sarah Good and the scandalous but frail Sarah Osborn, deny being witches and blame others. The third suspect, Rev. Parris' Native American slave Tituba, begins like the others by denying the charges. However she soon changes her story and weaves a kaleidoscopic narrative full of fantastic characters that enthralls the village. Everyone is amazed with wonder but also struck with fear at the potential size of the witch conspiracy, which now seems much larger than the usual small handful of suspects that New Englanders are used to.

The actual 1692 written accounts of these three examinations are used as the primary source for the script of this episode.

All music written by Brian O'Connell - www.brianvoconnell.com

Episode 5 Parts:

Part I - Gathering Storm
Part II - Witches Teats, Magistrates Arrive, Meeting House
Part III - Examination of Sarah Good
Part IV - Examination of Sarah Osborn
Part V - Examination of Sarah Tituba
Part VI - The Familiars
Part VII - The storm begins to spread (Gathering Storm Reprise)

Brian O'Connell - voice, guitar, 12-string acoustic guitar, bass guitar, upright bass, keyboards, synthesizers

Milo - screams

Recorded at Studio Vinniechops
Mixed, Edited, Mastered by Brian O'Connell

https://www.patreon.com/Witch_Hunt

History Sources

“The Salem Witch Trials – A Day-By-Day Chronicle of a Community Under Siege” by Marilynne K. Roach, Taylor Trade Publishing, 2002

"A Storm of Witchcraft - The Salem Witch Trials and the American Experience“ by Emerson W. Baker, Oxford University Press, 2015

"In the Devil's Snare - The Salem Witchcraft Crisis" by Mary Beth Norton, Vintage Books, 2002

Salem Witch Trials - Documentary Archive and Transcription Project - University of Virginia - https://salem.lib.virginia.edu/n125.html

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