ARTLAWS
Karole Armitage
Hailed as the “Punk Ballerina” by Vanity Fair, legendary dancer and choreographer Karole Armitage is the Artistic Director of the New York-based Armitage Gone! Dance Company.
After rigorous training in classical ballet, Armitage began her professional career as a member of Balanchine’s Grand Theatre de Geneve. Soon thereafter she started exploring modern dance when she joined Merce Cunningham's company, performing leading roles in his landmark works. In the mid-80’s, she established her first dance company in New York City -- The Armitage Ballet. As both dancer and choreographer, Armitage began combining classical, modern, and street influences with a bit of punk, rock-n-roll, and rap mixed in. She quickly became notorious for her radical and avant-garde work.
Armitage has directed and choreographed groundbreaking ballets internationally, and for several years she served as Director of MaggioDanza, the Ballet of Florence, Italy. Armitage also choreographed two Broadway productions -- Passing Strange and Hair -- which earned her a Tony nomination. In addition, we learn how she penetrated the Harlem Ball Culture and brought her experience to choreographing Madonna’s Vogue tour.
Follow our official Instagram account @artlawspod
Hailed as the “Punk Ballerina” by Vanity Fair, legendary dancer and choreographer Karole Armitage is the Artistic Director of the New York-based Armitage Gone! Dance Company.
After rigorous training in classical ballet, Armitage began her professional career as a member of Balanchine’s Grand Theatre de Geneve. Soon thereafter she started exploring modern dance when she joined Merce Cunningham's company, performing leading roles in his landmark works. In the mid-80’s, she established her first dance company in New York City -- The Armitage Ballet. As both dancer and choreographer, Armitage began combining classical, modern, and street influences with a bit of punk, rock-n-roll, and rap mixed in. She quickly became notorious for her radical and avant-garde work.
Armitage has directed and choreographed groundbreaking ballets internationally, and for several years she served as Director of MaggioDanza, the Ballet of Florence, Italy. Armitage also choreographed two Broadway productions -- Passing Strange and Hair -- which earned her a Tony nomination. In addition, we learn how she penetrated the Harlem Ball Culture and brought her experience to choreographing Madonna’s Vogue tour.
Follow our official Instagram account @artlawspod