Lost And Sound
Lost and Sound is a podcast exploring the most exciting and innovative voices in underground, electronic, and leftfield music worldwide. Hosted by Berlin-based writer Paul Hanford, each episode features in-depth, free-flowing conversations with artists, producers, and pioneers who push music forward in their own unique way.
From legendary innovators to emerging mavericks, Paul dives into the intersection of music, creativity, and life, uncovering deep insights into the artistic process. His relaxed, open-ended approach allows guests to express themselves fully, offering an intimate perspective on the minds shaping contemporary sound.
Originally launched with support from Arts Council England, Lost and Sound has featured groundbreaking artists including Suzanne Ciani, Peaches, Laurent Garnier, Chilly Gonzales, Sleaford Mods, Nightmares On Wax, Graham Coxon, Saint Etienne, Ellen Allien, A Guy Called Gerald, Jean Michel Jarre, Liars, Blixa Bargeld, Hania Rani, Roman Flügel, Róisín Murphy, Jim O’Rourke, Yann Tiersen, Thurston Moore, Lias Saoudi (Fat White Family), Caterina Barbieri, Rudy Tambala (A.R. Kane), more eaze, Tesfa Williams, Slikback, NikNak, and Alva Noto.
Paul Hanford is a writer, broadcaster, and storyteller whose work bridges music, culture, and human connection. His debut book, Coming to Berlin, is available in all good bookshops.
Lost and Sound is for listeners passionate about electronic music, experimental sound, and the people redefining what music can be.
Lost And Sound
Gruff Rhys
I spoke with Gruff Rhys, the always inventive artist, frontman of Super Fury Animals, sometomes half of Neon Neon, author, director and all round potential Welsh national treasure.
Super Fury Animals, often considered the last great band on Creation Records gave a sense of surreal adventure and a global musical pallet unusual for the Britpop era. They sung sometimes in Welsh, were politically conscious, at one point they had a tank, they mixed in techno, tropicalia and a million other sonic sources and of course there’s that song The Man Don’t Give A Fuck that sampled Steely Dan.
Then at some point, Gruff set out with a solo and collaborative body of work that’s seen his music grow into films, collaborations, such as Neon Neon (with Boom Bip) a book and a rather novel use of power point presentations.
We had a chat about language, about the Velvet Underground, about his film American Interior and about scoring a hit with a song that says “fuck” over 50 times. Enjoy!
Title music by ESO