Law on Film

Syriana (2005) (Guest: Peggy McGuinness) (episode 40)

Jonathan Hafetz

Syriana is a 2005 geopolitical thriller written and directed by Stephen Gaghan, based loosely on former CIA case officer Robert Baer’s memoir, See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism. The film weaves together multiple storylines that involve a CIA agent, a U.S. energy analyst, a major transnational law firm, and an oil-rich Persian Gulf kingdom. It tackles complex themes of corruption, power, and terrorism from a distinctly post-9/11 vantage point. The film also suggests how law operates in transnational settings and how it seeks—but often fails—to tame the forces of ambition, greed, and power that drive the oil industry and America’s role in it. Joining me to talk about Syriana is Margaret (Peggy) McGuinness, a professor at St. John’s University School of Law and a leading scholar of international law. 

 

Timestamps: 

0:00      Introduction 

3:00      The context and setting 

5:24      The film’s multiple storylines

8:28      Former CIA agent Robert Baer and the George Clooney character 

19:22     Capital markets and energy derivatives

25:26    Big oil in the early 2000s and today 

28:28    Big law and the Jeffrey Wright character

33:43   DOJ’s investigation 

37:14     The Foreign Corrupt Practices Act 

42:40    The illusion of due diligence 

47:40    Radicalization 

53:06   Gulf monarchs 

55:10    Targeted assassinations 

1:01:14  The next movie: big tech and AI 

1:01:52  The outcome 

 

Further reading: 

Alyson, Brusie et al., “Foreign Corrupt Practices Act,” 61 Am. Crim. L. Rev. 713 (2024) 

Baer, Robert, See No Evil: The True Story of a Ground Soldier in the CIA's War on Terrorism (Crown, 2003) 

Cohen, Kfir, “Narrating the global: pedagogy and disorientation in ‘Syriana,’” Jump Cut: A Review of Contemporary Media 

Lewis, R. James & Awan, Akil N. eds. Radicalization: A Global and Comparative Perspective (Oxford Univ. Press, 2024) 

Stiglitz, Jospeh E., Globalization and Its Discontents (W. W. Norton & Co. 2002) 

 

Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember.
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