For our special celebration of Jane Austen's 250th birthday, we welcome editors Jenny Davidson (Pride and Prejudice, 2023), Stephanie Insley Hershinow (Sense and Sensibility, 2024; Emma, 2022), and Patricia Matthew (Mansfield Park, 2026). In this extended roundtable episode, the editors discuss their personal favorites among Austen's books (and where to start as an Austen beginner), the differences between modern adaptations and Austen's original writing, and Austen's enduring legacy in the twenty-first century. 

Jenny Davidson is Professor of English and comparative literature at Columbia University. She has published four books of literary criticism, four novels, several other editions, and numerous articles and essays. She is currently at work on two book projects: a handbook on career pathways for humanities doctoral students and an intellectually wide-ranging and highly personal account of what it means to read Edward Gibbon’s History of the Decline and Fall of the Roman Empire (originally published between 1776 and 1789) from the vantage point of the twenty-first century.

Stephanie Insley Hershinow is an associate professor of English at Baruch College, CUNY, where she specializes in novel theory and eighteenth-century culture. She is the author of Born Yesterday: Inexperience and the Early Realist Novel. She lives with her family in Jersey City, New Jersey.

Patricia A. Matthew is Associate Professor of English at Montclair State Unviersity. She has been published widely and is the editor of Written/Unwritten: Diversity and the Hidden Truths of Tenure (2016). She is the co-editor of the Oxford University Press series Race in Nineteenth-Century Literature and Culture. 

To learn more or purchase copies of the Norton Library editions of Jane Austen's books, go to https://wwnorton.com/. Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on John Stuart Mill's Utilitarianism, co-editor Peter Singer returns to discuss the cover design of the Norton Library edition, the formation of an argument about a philosophical thought, and a soundtrack for the book (spoiler: John Lennon's "Imagine" is involved). 

Peter Singer, an Australian philosopher, is currently Ira W. DeCamp Professor of Bioethics at Princeton University. He is best known for Animal Liberation, first published in 1975 and widely considered to be the founding statement of the animal rights movement; and for The Life You Can Save, which led him to found the charity of the same name. His other books include Practical Ethics, The Most Good You Can Do, and the two books co-authored with Katarzyna de Lazari- Radek. In 2005, Time magazine named him one of the World’s 100 Most Influential People.

To learn more or purchase a copy of the Norton Library edition of Utilitarianism, go to https://wwnorton.com/books/9780393441161.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on John Stuart Mill's Utilitarianism, we welcome co-editor Peter Singer to discuss the author's life and other writings, to provide context on the philosophical tradition and historical era in which Mill wrote Utilitarianism, and to unpack the key arguments presented by this influential text.  

Peter Singer, an Australian philosopher, is currently Ira W. DeCamp Professor of Bioethics at Princeton University. He is best known for Animal Liberation, first published in 1975 and widely considered to be the founding statement of the animal rights movement; and for The Life You Can Save, which led him to found the charity of the same name. His other books include Practical Ethics, The Most Good You Can Do, and the two books co-authored with Katarzyna de Lazari- Radek. In 2005, Time magazine named him one of the World’s 100 Most Influential People. 

To learn more or purchase a copy of the Norton Library edition of Utilitarianism, go to https://wwnorton.com/books/9780393441161.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Giovanni Boccaccio's The Decameron, editor Wayne A. Rebhorn returns to discuss his first encounter with Boccaccio, the nature of translating the text's layered meanings from Italian to English, and modern film adaptations of The Decameron. 

Wayne A. Rebhorn is the Celanese Centennial Professor of English at the University of Texas, where he teaches English, Italian, and comparative literature. His translation of Boccaccio’s Decameron won the 2014 PEN Center USA’s Literary Award for Translation.

To learn more or purchase a copy of the Norton Library edition of The Decameron, go to https://wwnorton.com/books/9780393427882.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Giovanni Boccaccio's The Decameron, we welcome editor Wayne A. Rebhorn to discuss the author's life and historical times, similarities among Boccaccio, Petrarch, and Dante, and the use of storytelling to both distract and make meaning during catastrophic times. 

Wayne A. Rebhorn is the Celanese Centennial Professor of English at the University of Texas, where he teaches English, Italian, and comparative literature. His translation of Boccaccio’s Decameron won the 2014 PEN Center USA’s Literary Award for Translation.

To learn more or purchase a copy of the Norton Library edition of The Decameron, go to https://wwnorton.com/books/9780393427882.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Harriet Jacobs's Incidents in the Life of a Slave Girl: Written by Herself, editor Evie Shockley returns to discuss her first encounter with this text in graduate school, the book's place in the literary canon and the classroom, and her favorite passage. 

Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University and the author of Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry.   For her poetry collections—including suddenly we, semiautomatic, the new black, and a half-red sea—she has been awarded the Shelley Memorial Award, the Lannan Literary Award, and the Holmes National Poetry Prize, has twice won the Hurston/Wright Legacy Award, has received an NAACP Image Award, and has been named a finalist for the National Book Award, the Pulitzer Prize, and the LA Times Book Prize.   She has served as an editor of jubilat and Feminist Studies, and is Editor for Poetry at Contemporary Literature.

To learn more or purchase a copy of the Norton Library edition of Incidents in the Life of a Slave Girl: Written By Herself, go to https://wwnorton.com/books/9780393870787.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Harriet Jacobs's Incidents in the Life of a Slave Girl: Written by Herself, we welcome editor Evie Shockley to discuss the author's family background, lively language as a storyteller, and influence on Shockley's own creative process as a poet. 

Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University and the author of Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry.   For her poetry collections—including suddenly we, semiautomatic, the new black, and a half-red sea—she has been awarded the Shelley Memorial Award, the Lannan Literary Award, and the Holmes National Poetry Prize, has twice won the Hurston/Wright Legacy Award, has received an NAACP Image Award, and has been named a finalist for the National Book Award, the Pulitzer Prize, and the LA Times Book Prize.   She has served as an editor of jubilat and Feminist Studies, and is Editor for Poetry at Contemporary Literature.

To learn more or purchase a copy of the Norton Library edition of Incidents in the Life of a Slave Girl: Written By Herself, go to https://wwnorton.com/books/9780393870787.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Hemingway's A Farewell to Arms, Norton Library podcast host Mark Cirino returns to the guest seat (with producer Michael von Cannon stepping behind the microphone as host). The two discuss the cover design of the Norton Library edition, essential historical context for understanding the novel, and the ever-increasing political relevance of Hemingway's work in the twenty-first century. 

Mark Cirino is Melvin M. Peterson Endowed Chair in Literature at the University of Evansville (IN). He is the author or editor of several books, including Ernest Hemingway: Thought in Action (Wisconsin, 2012); Reading Hemingway’s Across the River and into the Trees (Kent State, 2016); and, most recently, One True Sentence: Writers & Readers on Hemingway’s Art (Godine, 2022), which was written with Michael Von Cannon. Cirino and Von Cannon are the creators of One True Podcast, the official podcast of the Ernest Hemingway Society.

To learn more or purchase a copy of the Norton Library edition of A Farewell to Arms, go to https://wwnorton.com/books/9781324059424.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Hemingway's A Farewell to Arms, we welcome Norton Library podcast host Mark Cirino to the guest seat for the first time (with producer Michael von Cannon stepping behind the microphone as host). The two discuss the balance of autobiography and fiction in the text, situate A Farewell to Arms in the establishment of Hemingway's literary reputation, and explain the censorship of certain language. 

Mark Cirino is Melvin M. Peterson Endowed Chair in Literature at the University of Evansville (IN). He is the author or editor of several books, including Ernest Hemingway: Thought in Action (Wisconsin, 2012); Reading Hemingway’s Across the River and into the Trees (Kent State, 2016); and, most recently, One True Sentence: Writers & Readers on Hemingway’s Art (Godine, 2022), which was written with Michael Von Cannon. Cirino and Von Cannon are the creators of One True Podcast, the official podcast of the Ernest Hemingway Society.

To learn more or purchase a copy of the Norton Library edition of A Farewell to Arms, go to https://wwnorton.com/books/9781324059424.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Homer's Iliad, translator Emily Wilson returns to discuss the red and gold cover design of the Norton Library edition, recount her decision to recreate a new translation of the epic, and give a performance in the original ancient Greek. 

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Homer's Iliad, we welcome translator Emily Wilson to discuss Homer's life as an "author," the meaning of free will in the context of intervention from gods, and how the relationship between Achilles and Patroclus shapes the climax of the epic. 

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076. 

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Louisa May Alcott's Little Women, editor Sarah Blackwood returns to discuss the inspiration behind the cover of the Norton Library edition, the book's intended audience, and key elements of gender theory—as well as personal feelings—that Alcott incorporates into the characters and story.

Sarah Blackwood is Professor of English at Pace University, where she teaches courses on nineteenth-century US literature, visual culture, and representations of selfhood. She is the author of The Portrait’s Subject: Inventing Inner Life in the Nineteenth-Century United States (2019), as well as the introductions to the Penguin Classics editions of Edith Wharton’s The Custom of the Country (1913) and The Age of Innocence (1920). Her criticism has appeared in The New York Review of Books, The New Yorker, The New Republic, and elsewhere. She lives with her family in Brooklyn, New York.

To learn more or purchase a copy of the Norton Library edition of Little Women, go to https://wwnorton.com/books/9780393876734.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Louisa May Alcott's Little Women, we welcome editor Sarah Blackwood to discuss the importance of Alcott's family background; her distinct authorial voice in books, journals, and letters; and how her time as a Civil War nurse led to her emergence into the publishing world. 

Sarah Blackwood is Professor of English at Pace University, where she teaches courses on nineteenth-century US literature, visual culture, and representations of selfhood. She is the author of The Portrait’s Subject: Inventing Inner Life in the Nineteenth-Century United States (2019), as well as the introductions to the Penguin Classics editions of Edith Wharton’s The Custom of the Country (1913) and The Age of Innocence (1920). Her criticism has appeared in The New York Review of Books, The New Yorker, The New Republic, and elsewhere. She lives with her family in Brooklyn, New York.

To learn more or purchase a copy of the Norton Library edition of Little Women, go to https://wwnorton.com/books/9780393876734.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Edith Wharton's The Age of Innocence, editor Sheila Liming returns to discuss challenges for first-time readers, the correlation between fluctuations in Wharton's reputation and historical literary (and political) trends, and whether or not The Age of Innocence is truly a love story. 

Sheila Liming is Associate Professor at Champlain College in Burlington, Vermont. She is the author of What a Library Means to a Woman: Edith Wharton and the Will to Collect Books (University of Minnesota Press, 2020) and creator of the web database EdithWhartonsLibrary.org. Her other books include Office (2020), published through Bloomsbury's Object Lessons series, and a scholarly edition of Wharton's novel Twilight Sleep (forthcoming through Oxford University Press). Her writing has appeared in The Atlantic, Lapham's Quarterly, The Los Angeles Review of Books, McSweeney’s, and The Chronicle Review.

To learn more or purchase a copy of the Norton Library edition of The Age of Innocence, go to https://wwnorton.com/books/9780393870770.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Edith Wharton's The Age of Innocence, we welcome editor Sheila Liming to discuss the author's friendship with Henry James, a culture of elitism in New York, and the ironic meaning of "innocence" in the novel. 

Sheila Liming is Associate Professor at Champlain College in Burlington, Vermont. She is the author of What a Library Means to a Woman: Edith Wharton and the Will to Collect Books (University of Minnesota Press, 2020) and creator of the web database EdithWhartonsLibrary.org. Her other books include Office (2020), published through Bloomsbury's Object Lessons series, and a scholarly edition of Wharton's novel Twilight Sleep (forthcoming through Oxford University Press). Her writing has appeared in The Atlantic, Lapham's Quarterly, The Los Angeles Review of Books, McSweeney’s, and The Chronicle Review.

To learn more or purchase a copy of the Norton Library edition of The Age of Innocence, go to https://wwnorton.com/books/9780393870770.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Ernest Hemingway's The Sun Also Rises, editor Verna Kale returns to discuss the vintage bullfighting posters that inspired the cover of the Norton Library edition, a "hot take" on the traditional hero of the book, and the loss of sentence-level writing in adaptations of the story.  

Verna Kale is an Associate Research Professor of English at the Pennsylvania State University and Associate Editor of the Hemingway Letters Project. She is the author of a biography of Hemingway, Ernest Hemingway, part of the Critical Lives series; editor of Teaching Hemingway and Gender; and co-editor, with Sandra Spanier and Miriam B. Mandel, of The Letters of Ernest Hemingway: Volume 6 (1934–1936).

To learn more or purchase a copy of the Norton Library edition of The Sun Also Rises, go to https://wwnorton.com/books/9781324045717.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Ernest Hemingway's The Sun Also Rises, we welcome editor Verna Kale to discuss a young Hemingway's life experience leading up to writing the novel, his captivation with bullfighting and insider knowledge, the distinction between fairytale and reality, and the lack of a moral of the story. 

Verna Kale is an Associate Research Professor of English at the Pennsylvania State University and Associate Editor of the Hemingway Letters Project. She is the author of a biography of Hemingway, Ernest Hemingway, part of the Critical Lives series; editor of Teaching Hemingway and Gender; and co-editor, with Sandra Spanier and Miriam B. Mandel, of The Letters of Ernest Hemingway: Volume 6 (1934–1936).

To learn more or purchase a copy of the Norton Library edition of The Sun Also Rises, go to https://wwnorton.com/books/9781324045717.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on John Milton's Paradise Lost, editor Stephen B. Dobranski returns to discuss his own first encounter with Milton in a high school classroom, the experience of editing the Norton Library edition from historical source texts, and how students should build up their Milton muscles by reading other poetry before turning to Paradise Lost. 

Stephen B. Dobranski is Distinguished University Professor of English at Georgia State University and the editor of the journal Milton Studies. He has published nine books including Readers and Authorship in Early Modern England (2005); The Cambridge Introduction to Milton 2012); and Milton’s Visual Imagination: Imagery in “Paradise Lost” (2015).

To learn more or purchase a copy of the Norton Library edition of Paradise Lost, go to https://seagull.wwnorton.com/ParadiseLostNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on John Milton's Paradise Lost, we welcome editor Stephen B. Dobranski to discuss Milton's life in the midst of religious and political controversy, pamphlet wars and the representation of failed revolution through writing, and Milton's characterization of Eve. 

Stephen B. Dobranski is Distinguished University Professor of English at Georgia State University and the editor of the journal Milton Studies. He has published nine books including Readers and Authorship in Early Modern England (2005); The Cambridge Introduction to Milton 2012); and Milton’s Visual Imagination: Imagery in “Paradise Lost” (2015).

To learn more or purchase a copy of the Norton Library edition of Paradise Lost, go to https://seagull.wwnorton.com/ParadiseLostNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Ovid's Metamorphoses, translator Charles Martin returns to discuss his first encounter with Ovid, the potential to learn Greek and Roman mythology through reading Metamorphoses, and other scholars' work with the text in the twenty-first century. 

Charles Martin was born in New York City in 1942. He earned a Ph.D. in English from the State University of New York at Buffalo. The recipient of numerous awards, Martin has received the Bess Hokin Prize, the Literature Award from the American Academy of Arts and Letters, and fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Three of his poetry collections—Steal the Bacon (1987), What the Darkness Proposes (1996), and Starting from Sleep: New and Selected Poems (2002)—have been nominated for the Pulitzer Prize. His translation of Ovid’s Metamorphoses won the 2004 Harold Morton Landon Translation Award from the Academy of American Poets.

To learn more or purchase a copy of the Norton Library edition of Metamorphoses, go to https://seagull.wwnorton.com/MetamorphosesNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Ovid's Metamorphoses, we welcome translator Charles Martin to discuss Ovid's well-documented life and his exile, the popularity and subversiveness of Ovid's writings, and the creation of a new epic form through the lack of one epic hero. 

Charles Martin was born in New York City in 1942. He earned a Ph.D. in English from the State University of New York at Buffalo. The recipient of numerous awards, Martin has received the Bess Hokin Prize, the Literature Award from the American Academy of Arts and Letters, and fellowships from the National Endowment for the Arts and the Ingram Merrill Foundation. Three of his poetry collections—Steal the Bacon (1987), What the Darkness Proposes (1996), and Starting from Sleep: New and Selected Poems (2002)—have been nominated for the Pulitzer Prize. His translation of Ovid’s Metamorphoses won the 2004 Harold Morton Landon Translation Award from the Academy of American Poets.

To learn more or purchase a copy of the Norton Library edition of Metamorphoses, go to https://seagull.wwnorton.com/MetamorphosesNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Sinclair's The Jungle, editor Kenneth W. Warren returns to talk about how the novel stopped him in his tracks while reading it for school, the compelling question of the relationship between literature and propaganda, and the continued relevance of The Jungle today.   

Kenneth W. Warren is Fairfax M. Cone Distinguished Service Professor in the Department of English at the University of Chicago. He is the author of Black and White Strangers: Race and American Literary Realism (1993), So Black and Blue: Ralph Ellison and the Occasion of Criticism (2003), and What Was African American Literature? (2011).

To learn more or purchase a copy of the Norton Library edition of The Jungle, go to https://seagull.wwnorton.com/TheJungleNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 1 of our discussion on Upton Sinclair's The Jungle, we welcome editor Kenneth W. Warren to discuss Sinclair's background, how his political commitments informed his literary endeavors, The Jungle's effect on regulatory efforts in the United States, and the techniques the novel uses to achieve its engrossing effect.

Kenneth W. Warren is Fairfax M. Cone Distinguished Service Professor in the Department of English at the University of Chicago. He is the author of Black and White Strangers: Race and American Literary Realism (1993), So Black and Blue: Ralph Ellison and the Occasion of Criticism (2003), and What Was African American Literature? (2011).

To learn more or purchase a copy of the Norton Library edition of The Jungle, go to https://seagull.wwnorton.com/TheJungleNL.

Learn more about the Norton Library series at https://seagull.wwnorton.com/nortonlibrary.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In Part 2 of our discussion on Hobbes's Leviathan, editor David Johnston discusses his personal history with Hobbes and the Leviathan, common challenges first-time readers face, his favorite line from the book, his approach to teaching the work, the details of the book's famous engraved title page, and more.

David Johnston teaches political philosophy at Columbia University, where he has served as Nell and Herbert M. Singer Professor of Contemporary Civilization and Joseph Straus Professor of Political Philosophy. He is the author of A Brief History of Justice, The Idea of a Liberal Theory, and The Rhetoric of Leviathan: Thomas Hobbes and the Politics of Cultural Transformation, and is the editor of a collection of readings entitled Equality and coeditor of Machiavelli on Liberty and Conflict.

To learn more or purchase a copy of the Norton Library edition of Leviathan, go to https://seagull.wwnorton.com/LeviathanNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.

In Part 1 of our discussion on Thomas Hobbes's Leviathan, we welcome editor David Johnston to discuss Hobbes's life and the historical context of Leviathan, the book's central thesis and argument, and its controversial reception through time.

David Johnston teaches political philosophy at Columbia University, where he has served as Nell and Herbert M. Singer Professor of Contemporary Civilization and Joseph Straus Professor of Political Philosophy. He is the author of A Brief History of Justice, The Idea of a Liberal Theory, and The Rhetoric of Leviathan: Thomas Hobbes and the Politics of Cultural Transformation, and is the editor of a collection of readings entitled Equality and coeditor of Machiavelli on Liberty and Conflict.

To learn more or purchase a copy of the Norton Library edition of Leviathan, go to https://seagull.wwnorton.com/LeviathanNL.

Learn more about the Norton Library series at https://wwnorton.com/norton-library.

Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter @TNL_WWN.