Frank Soriano describes his abduction by a UFO in great detail

Frank Soriano has wanted to tell what happened when he was abducted into a spaceship and was there among the alien beings.  In this episode he finally does.  

Frank is a tough guy who grew up on the mean streets of Spanish Harlem.  He survived three attempts on his life, aided by his courageous wife, Miriam.  He had the courage to engage in a regression through which he was able to remember events that had previously been wiped from his memory by the alien beings.  

Whether you are comfortable with UFO's or not.  They are here. 

Transcript

2:10

We're back with Frank Soriano for a second episode and I can't wait to ask further questions about something that we talked about in the first episode and that is that when Frank and his wife were returning home from work they were headed towards Ticonderoga where they lived and they came around a certain curve that they had come around. Every time they came home on that route and they saw something really significant. And we described it a little bit in that previous episode, and it was a really huge space ship that had a whole bank of huge windows that were, amber in color. And if you would take a chance to go and look at the Facebook page, Life, it just keeps on going, Facebook page, you'll see a artist rendition of it, which is a photo taken of that exact spot, with the artist creating an exact representation So we're going to talk a little bit more about that. And I'm going to call that the Spruce Mountain incident so that we know what we're talking about. And thank you so much for coming back and talking more about it. Are you ready to talk more about that spruce mountain? Sure. Absolutely. Okay. All right. One of the things that we talked about last time was that, you, And your wife had pulled over on the side of the road, and you were just looking at this very, very huge thing, which I think you've described as the size of basically two aircraft carriers, is that right? Yes. Okay. And In tandem, in tandem. Yes, in tandem, right. One behind the other. So you had pulled over and you were looking at it, you stuck your head out the window so that you could make sure that it wasn't glare or anything. And then, at some point in your wife started to have a very strong reaction. Could you tell us again about what her reaction was that was very surprising and upsetting to you? Well she Suddenly just started screaming in fear and panic and clawing at the ceiling of the car, the roof of the car, where it's sitting inside the car and she's screaming and she just went completely crazy. I'd never seen. Now I've known my wife since we were young kids. We grew up together. Okay. You know, I'd never seen her like that. I've never seen such fear in her. Did you come later on to find out, what had caused her to act like that? Yes. When I spoke to Dr. Bruce McAbee, he was the scientist. And that's as part of MUFON, the Mutual UFO Network, right? Well, yeah. And, you know, people have seen him on TV plenty of times because, yeah, he's one of the government scientists that exposes situations about UFO sightings and so on. Oh, I see. I see. Okay. And he's an optical physicist who works for U. S. Naval Weapons Research. So I sent tape of the 1998 UFO. So when I spoke to him, some years later about that, he also recommended that I see a man named Bud Hopkins. Now he had done this when I got my first sighting in 1998 right. And he, he asked me, have you experienced anything unusual? When you saw this UFO and the tape that you sent me. Which is kind of a very broad and general question. Exactly. It was, yeah. And when I explained that to him, then he got me in touch with Bud Hopkins. And who's, Bud Hopkins? Bud Hopkins is world famous writer, but he's also a world famous painter. His paintings hang in the Guggenheim on Fifth Avenue. And the New York Times was gonna do a story. I don't know. They probably did it by now. Write a book about his paintings. Okay. And he also became a world famous UFO investigator. Okay. Because of a sighting he had back in the mid 1960s. All right. And he knew it was something other than earthly. Okay. And he also coined the phrase missing time. Okay. I have heard that. Yes. Sure. I was, but Hopkins who coined that phrase, and he wrote books like intruders missing time, the Brooklyn bridge UFO you know, and he was a good writer. Okay. I even read his books. So I got to meet him and what he said was when I told him about this UFO sighting on Spruce Mountain, he questioned me without Miriam being there, my wife, asked me all kinds of questions, I answered them, and then he interviewed my wife, Miriam, aside, about the Spruce Mountain UFO. And during that interview, she said she saw also these lights around the entire, all the windows. Each giant window had little lights also. Okay. Amber. And he came back and asked me, Did you see any little lights? And I said, No. He says, You didn't see any little lights around all these windows? I said, No. That's too far away. Right. You know, that's five miles away, you know? Right. And no, as big as that thing was, I didn't see any little lights around each window. So, that's when he told me, he says, Well, your wife Miriam claims she saw these little lights around each window. And I said, No, I didn't see no little lights. Yeah. And he insists that she was insisting that she did see those lights. She explained everything exactly like I did, except for the little lights. And that's when he told me the reason she saw those little lights is because she was up closer to it. And I says, no, she was sitting right next to me. And he says, no, she was taken. And you didn't even know it. Oh my gosh. I was, I think he said something like in suspended animation, or frozen, where There was seamless time, so when I came out of it, it was like nothing like that happened. Okay, because you did describe in our last podcast, in our last episode, you did describe that you were there, she started to be very upset and scream and things, and she wanted you to leave and get out of there, and you did. But you didn't feel any. Delay or anything like that? No. I stuck my head out the window. My face was getting wet from the rain that was coming down. Okay. But that thing was still there, so there was nothing altering what this thing was. It was dark. There was no moon out. It was raining. And and she was sitting there and all of a sudden she snapped. She went completely ballistic, crazy, screaming, screaming, not saying anything, just screaming and crying and scratching the roof of the car like she wanted to get out. She was in severe panic and I said, Okay, I'm leaving, I'm leaving. And when I left, she had both. Her hands to her face and she was crying. She was sobbing and all she was really terrified and I was shooken up about it, you know, yeah And so bud hopkins identified that somewhere in that sequence of events, there was something else that happened that you were not aware of. Yes. And that was that you went into a state of suspended animation or kind of, you were put on pause, kind of, you just froze, you just stayed there with no knowledge or brain action going on where you were saying, Oh, I'm frozen. You don't remember that at all. No, no. Not at all. And like Bud Hopkins told me, he says, time was seamless for you. That even though you were frozen, it was as if that never happened. But suddenly, your wife, who was sitting next to you, not crying, and all of a sudden, it appeared that she just went ballistic. Right. Out of nowhere and he says, because At that moment, when she was taken, she was put back, and when she was put back, she was put back hysterically. That's why she saw the little lights around each window. She was, like Bud Hopkins told me, she was much, much closer to the craft. that explains why she was so deeply panicked. Yes. And this is from a pretty fearless woman. Yes. Did she have any later recollection of what happened after she was taken? No. And, If it was embedded in her deeply, I asked her, why don't you get a regression? So maybe that'll help eliminate these memories. Right, right. And she said, I don't wanna. remember things that would even traumatize me maybe even more. So she said, I'm not gonna, and she never did. And she of course passed away in February of 2018. And so from that time the Spruce Mountain incident up until 2018, she was too scared to go back there. Yeah. Yeah, she, she wouldn't do it, you know. Jim talked to her also and she liked Jim a lot. Yeah, Jim Bouk, yeah. And she just wouldn't do it. I asked her and I was her best friend. Yeah. We grew up together, And she says, no, I, I think it's best that I, I don't know. I don't, I don't blame her. Right. Yeah. Did you ever have an experience where you believed that you were taken? Or you were abducted? When I was put on the regression. Yes. It came to me because the strange things that happened after my first videotaped sighting of a UFO where It was coming past me in my house and in Ticonderoga and I Didn't know that I was abducted. Okay. I I didn't know one bit and When Bud Hopkins asked me, would you go on the regression, I was, again, my curiosity. Sure. You know? Sure. And I said, sure, Bud. I says, yeah, I'll go on the regression, but I want to tell you right now, it's not going to work on me. I hear you. And I smiled, you know? And he smiled back, and he says, okay, well, we'll try it anyway, I says, but I'm very strong will. Emotionally, mentally, I'm very, very strong willed. You're a tough guy. That's the way it is. I grew up that way, and I says, you know I'm pretty good at controlling my emotions, and sure, I can be afraid. But, you know, there have been times I was afraid in prison when there was a riot. But, you know what? I was more afraid of running away from them and being a coward, I always stood my ground, I'm, I'm Spanish, you know, I'm Puerto Rican of Spanish descent and the word macho is a Spanish word. So that says it all. Okay. Okay. So when he suggested that you do this regression, that you applied that same spirit to it, which says, yeah, I'm not scared, I'm not scared of it, go ahead. And, who did the regression? Bud Hopkins. Bud Hopkins was the one who did the regression? Yes. Could you describe it? Sure. He says just relax. So I laid down on the sofa. Okay. And he starts talking to me. And I said, excuse me, but I says, I'm telling you, this is not gonna work. And he says, Frank, just relax, and I'm gonna talk to you. And that's what he did. He spoke to me. And I don't remember the exact words, but while I'm laying there, memories start coming back. I was amazed. I wasn't in a trance. No. I knew about my surroundings. And Miriam sat there next to me. She asked if she can watch while I leave. And he said, of course, Miriam. And she sat there. Right near my head, because Bud was on my side. And memories start coming back. I've had a past life regression, and I, like you, I did not think it was going to be possible. I didn't think I was going to be able to be transported to such a place where I would allow that to happen. I just decided if I'm going to do this, I'm going to do it. I'll just follow along with whatever they say and see what happens. And just like you described, the thoughts came into my head. It wasn't, I didn't hear anyone speaking. It wasn't a flashing lights or anything else like that. But it was like, I just remembered it. And I, and just thought it came in my mind. So this is what happened to you as well. And tell us about what, what came into your mind. Well, these memories come back where it's the same day that I videotaped the UFO. Okay. And Miriam was planting flowers on the small cottage that we had to rent out. Yes. And I was watering them. And while I'm watering them. I got my back to the south. Yes. So she's on her knees planting the flowers. And I would water them and suddenly I'm compelled to drop the hose and turn around and face the south. And I see these clouds in the sky, but there's this one big cloud pointing straight towards my area. And I look up at it and suddenly I see what looks like An egg, if you pick up an egg and hold it in front of you, you know, one end and it just coming at you and it looks soft and white and contoured. Yes. That's what I saw coming out of the cloud. Okay. And when I saw that thing coming out of the cloud, I knew right away, I ran into the house. And usually, when I go into the den, which is on the first floor, close the door so bees and hornets won't get in. I just left the door open, went and got my camera in the dining area, pulled out the camera, and as I'm running out, I'm setting it up. And that's when I came out. And I remember all that happening, and I start videotaping it. And when she sees me pointing the camera upward, she looks up, and she sees the UFO crossing the sky. And I'm videotaping it, and we went through everything that happened, you know? And once it was gone, I turned the camera off, and I turned to Miriam. We're not excited. We're just bland, serious, standing there. I'm not saying, let's go in and look at the video, we're not excited. She's standing there looking at me, and I look at her. We didn't say a word to each other. Something was already taking effect. And I look at her, and I knew that something was strange, but I accepted it. And I go walking past her and I look at her again. She doesn't turn her head to face me. The only thing that followed me were her eyes. But she kept her head straight ahead. North. And her eyes just looked like that. And she, how strange was that? But I went past her because again, I accepted it as normal. Right. And then I walk in the house, go up the three steps into the kitchen, and then into the dining room. I put the camera away in the case. I turn around to face the dining area so I can walk out and join my wife again. Right. And we're calm, as though nothing had happened. Which is odd. Very odd. Yes. But, again, I accepted it as normal. That, they made me accept it as normal. And, then I couldn't remember anything. So, when Bud put me on the regression, that part, where I'm ready to walk out, I get to the door, and I stop. This is in regression now. And the memories were all the same except now this. Everything you've set up till now is not in regression, it's in your actual memory. It's in my actual memory. Actual memory, okay. Right. Alright, now you've put the camera away. Right. You're going back out, and now we're in regression. Yes, now we're in regression because when my memory just got to the part where I put the camera away, I looked towards the kitchen to walk there. That was the end of my memory. I see. But now, I'm at the kitchen door facing the den. And there's three steps there to go down. And I'm standing there, and all of a sudden, I'm standing there, with my hands at my side, and my feet slightly apart. Okay. And then all of a sudden, I start raising up. I raise up a few inches. Okay. And I remember, under regression, I said to Bud, This is incredible. And he said, Just concentrate on what's going on, Frank. Okay. couldn't believe it. And I raise up, and then my body starts slowly turning into a 45 degree angle. Oh my goodness. Which was The same angle as the roof there. I'll show you pictures. Okay. Also of what I'm talking about. Okay, and I Start moving up it was all knotty pine wood. Okay. I stopped moving up towards the ceiling, okay, and I Can't believe what I'm remembering. Yeah, but then All of a sudden, I didn't feel anything strange or different. I just get up to the wood on the ceiling, and now it's going past me. You're going, in effect, through the wood. Yes. Okay. And it's going past me. And then when I come out, it's bright sun. And I look up, and I see these two tic tacs now, you can call them. Yes. With one end having a square door. Okay. Completely open. Okay. How far away are they from you? I mean approximately. They were above, above my house. Okay. Let me figure, I figure they must have been maybe 75 feet. Okay. Up, aNd I'm going up there. And I'm nervous. Yes. I'm feeling nervous, and all of a sudden The sun's not hitting me anymore because now I'm going inside and I'm put on a gurney not by them By whatever power they had and I'm kind of floated to the gurney to the gurney, And I didn't see the legs or anything, but it was You It looks like stainless steel and I'm put on the gurney and I see these I guess the floor must have closed up because now I see these little, little guys, little people, walking around. Okay, let's, stop right there for just a second. Up until this point, this is all under regression, and you had Kind of come up off the floor, turn to a 45 degree angle, and then gone through the roof, out into the daylight, then right up into the door and onto a gurney. Right. And that's where we're sitting right now. So the first thing when you hit that gurney, this is what you're talking about right now is. What did you see? That's the reason I don't like talking about it to other people. Or in a group. I understand that. Yeah. Yeah, so I'm laying on the gurney and What I see is these little people Walking around silent. Okay, they're not making a noise. And how far away from you are they? Maybe a couple of feet or a foot. Yeah. And, like I explained to Jim Bauk and other people and Bud Hopkins. Have you ever sat in a restaurant and you see the little opening there in the kitchen? And you see how they're moving around, never bumping into each other and you know how crowded it is there. But this wasn't crowded. You know, it seems spacious, but they're walking around, and like they each had something to do. I see. Okay, and they were focused on that. They were not, not so much me. I'm amazed at what I'm seeing. I see. I see. But they, they're not. They've got, they got stuff to do. They're doing it. They got stuff to do and they're doing it. Okay. And. Now I was getting really nervous. You know, I, I'm getting scared. Oh, yes. Yeah. I, I can't imagine what it was like. Yeah. It was really scary because you still have your faculties Yes. Even though you didn't remember it when you came back. Right. But as you're there in the gurney, you weren't unconscious or anything. Right. You were conscious like, like you are right now. Yeah. I, I was like, I am now. And doing the regression, the same thing, those were the memories that were coming back. So I knew that what I was seeing, what I experienced was real, and I felt like I was there again. And that's when I started getting terrified, and they were doing these things and moving around, and the only light that I knew was on me, but I couldn't see where the light source was coming, I told Bud, I, I, I don't want to do this anymore. I don't, I don't want to do it anymore. You're elected, that's, that's, that's far enough. Yes, yeah, I, yeah, I remember what Miriam said. She didn't want to do it at all, and I did it, and then I was terrified. I, I don't know what they did, you know if they did anything, you know. I want to ask you more questions about it, but before I do, I want to tell you how brave That you are, in my opinion, that you're brave, you're very articulate, you're very clear, you're communicating this genuinely from your heart and from your knowledge. And to me, this is an important moment. In my life, in your life, in this broadcast, this is a very important moment and I don't want that to go by without me mentioning it, that that's the way I feel about it is that I'm so honored that you would reveal these things and I understand the psychological risk you're taking in doing this I don't take it lightly. So let me go further and ask you, you're on the gurney. And You're noticing that there are other beings there. Yes. Can you describe what they look like? Yes. Okay. They were small and gray they were like a, a light gray. Okay. not dark, but a light gray. And their eyes were not huge, giant almonds, no. They were big eyes, slightly bigger than ours, Okay, but not excessive. No, and, and, you know, they, they were just big, Almost, you know, Jim, I thought, almost At a slant Asian like, slightly, you know, and their heads were not humongous. I see. They, they were big and round, no hair, Okay. And, They were round. And, yeah, their head was round. Round. Yeah. And so two eyes, just like you and I have. A little, a little bigger, and more, a little Asian like, but, Okay, and were they spaced roughly the same as ours? Yeah, they were spaced, they were spaced, yeah, like ours. And two little protrusions. With a, a little slight bump. Okay, so they had like a similar kind of a nose of some sort. Yes, and a slit for a mouth. Oh, okay, and a mouth as well, a little slit. Yeah, yeah. Okay, and did any of them make any noises at all? No, I didn't, not that I can recall, no. All right and how about Arms, legs, torso, what was that? Could you, could you see? Their arms were mostly down by their sides, And when I saw them, their arms moving, their arms were thin. Yeah. Okay. And Did they have objects in their hands? Or I didn't see any objects. Okay. I didn't see any objects, but they were moving around, and they were doing something that I couldn't see. The gurney was up. Yes. Okay. And actually, you know, They were small compared to the gurney. I see. They were small. So, the, the most I saw was their shoulders. I see. Their neck, which was, they had skinny neck, but not paper thin or anything like that. Right, okay. Yeah. They had thin necks and the shoulders were round. Everything was they looked smooth on them, All right. So, maybe they were in a suit or something. And so, exterior, they were gray. They were gray. And the exterior, now we have skin. Did they have anything that appeared like skin? They weren't that close. I'm in a gurney here, and they're here and here. Okay. And it was still dim. You're gesturing on either side of you. On both sides of me, right. Both sides. You know. And I couldn't see down front or behind me. Okay. But sometimes you saw them kind of moving arms around. Yeah. But that was as low on their, bodies as you could see. Yeah. They were small. Yes. Okay. You know? Alright. And about the same height then? The top of their head was about the same height as the gurney? A little higher than the gurney. A little higher. Okay. That's why I could see their heads, Yeah. Yeah. And no hair of any kind? Not that I saw. Not that I could see. No noises. No noise. Was it totally silent? Yeah, even when they walked. Because they're moving around. Right. I didn't hear any shuffle or anything. Okay. No walking or something. Yeah, like that. That must have been What, I mean At first, you were trying to see where am I, right, and who else is here, and what are they up to. But once it kind of registered in your mind, it must have been very, very scary. Yes, that's why I got scared, because I'd never seen anything like this, and, and here I am, memories coming back, and these things are all around me, and then I couldn't hear them walking, I could see them, the movement, and that was it, you know, on both sides, but that unnerved me, because when you're on a gurney, it, just like here on earth, you know, you're on a gurney, Surgery, you start thinking about surgery. That's right, that's right. Something's going to happen to my body. Exactly. Yes. Yeah, and I was scared. Yeah, and that's why I told Bud, I, I don't want to do this anymore. Right, because you're thinking, why aren't I just standing up here? Yeah. Why am I on a gurney? why do they want me here? Yeah. Like this. Yeah. Where you're basically kind of in a way disabled but you know something, Jim, after all that happened, I start figuring, I go, wait a minute, they were doing like assistance to a doctor or something. And that's what I'm thinking. And it makes common sense when you think that if you and I and Jim Bauk here, we were scientists and we ended up on a distant planet that were. Inferior to us. Would we study them on their planet or would we abduct them and put them on our own aircraft to study them? We'd take them back to our shop. Exactly. Absolutely. Exactly, No, where we have control of all the conditions. Yes. And we know what's going on here and that would make the study more realistic and beneficial because we know all the variables. And safer. And safer. Because you're in your own environment. Yes. Not theirs. Right. Right. And, you know, when Miriam and I would watch documentaries on UFOs. Right. You know what she would say? No. When scientists would say there is probably life out there. And she would say, there is, and they're already here. They're already here. Oh, I, yes. Yes. You can't capture. A with your imagination. I caught it on video. It's on film. And you know the strange thing that Bud told me? When all this was done, he saw my video and he said, Frank, I believe, right in front of Miriam, I believe that you're the first human being to capture the UFO. On video that abducted you. Oh my goodness. That's what he told me. And he really is an expert. World class expert. Is he Jim? Jim Bowker is nodding his head. Yes he is. Look him up. Bud Hopkins. And what a gentleman. What a nice man. And the man was brilliant. You should read his book. I definitely will look into that and study what he has found and said. And I said to him, that is incredible. And he said, what's even more incredible is that you captured the UFO that abducted you on video. And Bruce McAbee had told me, you should get in touch with Bud Hopkins. And then he gave me his phone number, and that's when I called Bud. And I went to see him. Bud and I became good friends, and Miriam, too. Well, you experienced something that he was excited about, I'm sure. Yes. Did Bud or did anyone else suggest that there may have been other times that you had been abducted? Well, he asked me about my childhood, when I was growing up. Okay. and he asked me what's your earliest memory, of what you've seen. And I told him, well, when I was growing up We saw a ghost, my sister and I. Okay. And we were scared to death. Right. But my earliest memory was of the color, Light blue. Mm hmm. He said, why is the color light blue? I said, I, I, I don't know, but I remember that color, probably as a baby, you know, and it was a beautiful color, and then I don't know, maybe I was four or five, and I remember a white ball Bouncing ahead of me, bouncing on rooftops in, Spanish Harlem in New York City, you know, and he said, well, how old were you? I says, I don't know. I could have been three, four, five, five years old. I remember seeing the buildings below me. and they were tenements, right? And I says, the best way I can describe it is if you've ever watched West Side Story at the beginning of the original West Side story, you see the camera looking at the buildings below in the streets. I says, that's exactly what I remember as a baby and seeing these buildings. And he believes since I was a child that I've been abducted, and things were strange things were happening, and incredibly I was almost killed three times. Okay. I don't know what prevented all that. I mean, literally killed. Miriam saved my life. Okay. All three times. One time I'm in Spanish Harlem, and I'm standing on the stoop, and it was a Saturday, and there was this old man, old Spanish man, he was playing dice. Right. With a couple of other older men. But there was this young guy who got in it, and I found out later on his name was Reuben. Mm He had just come out of prison for manslaughter. Okay. He was, I believe, in his 20s, like I was, Okay. And the old man, I knew him for, hello, and his wife, good morning. I was always nice with people. And then The young man got into a an argument with the old man. Okay. And then he pulled out a knife and he says, you cheated me and the old man got nervous and scared. He said, how did I cheat you? I drew the dice and I've been winning you, you lost and he says, and I'm going to cut your heart out. Oh my gosh. Yeah. And he says, anybody gets in it, I'll cut theirs out first. And none of the old man's friends, nobody, even our younger guys never got in, so. And, I jumped over, off the stoop. And I got between the old man and him and I grabbed the old man with my right hand pulled him behind me and I looked at him I had already been told what his name was. It was Ruben. So I go, look, Ruben, this is an old man. How are you going to look killing an old man? And then you go back to prison. It's not worth it. He says, yeah. Then I'll cut your heart out, and my wife was looking out the window. We lived on the third floor, she ran down the stairs, and she had long, beautiful hair, and she got in front of me, and when she got in front of me, I grabbed her by the hair and I said, hon, get out of the way. She wouldn't move. Her head was bent because I'm trying to pull her by the hair. Oh my goodness. And she wouldn't move. And she says, you gotta kill me before you kill my husband. Oh my gosh. That was Miriam. That's why I said she was very brave. And you know what he does? No. This guy closes the knife. And I'm going to say it exactly like he said it. He says, you're a lucky motherfucker. You got a wife that brave. I don't fight with women. And he walked away. Oh my gosh. Oh my gosh. And then the old man was crying and hugging me and thanking me. And his wife came out. And she never forgot it, even when he died and his friends, whenever I went around the neighborhood, because I moved away. I went around to see some, there's some nice decent people there too. And she would always tell people, There's Frankie Soriano, he saved my old man's life. I'll never forget him for that, and she would always hug me and kiss me, you know, and eventually she passed away, too, Wow, what a day, what an experience, what a wife. I was, look, I could have been killed, numerous times, in muggings and all and I've been fortunate. I always said with God's help, was there another intervention? I don't know. don't know. Okay. really appreciate what you've done. I mean that very genuinely. And let's finish up for now, and we'll come back. Thank you. Thank you, Jim. Thank you.