Musik mit drug
Dj Peter Visti inviterer gæster ind til en åben snak om kærligheden til musik og hvordan man bruger og nyder musikken i museo local podcasten.
musik mit drug.
Ny episode hver mandag kl 08.00
Musik mit drug
#20 Jette Schandorf
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En åben snak med Bassist Jette Schandorf om hendes passion for musik .
Love for Music
Speaker 2Music . Welcome to the Museo Locale Podcast . My name is Peter Visti and I have been a musician for my entire life and I have lived my entire life of music in one or the other way . I am a musician and I have been a very young person who has been on the phone with my head and listened to music during my entire night sleep , something I actually still practice . Music is my passion , my drive , my mood and daily forms change music . Music has a unique ability to express feelings and connect people in different cultures . My goal is to find out how different people experience love for music and how it varies their lives . What is the purpose of the new guest ? To talk about their relationship to music and how they live and influence music , insect inspiration and , hopefully , some fun and exciting surprises . Welcome to Museo Locale Podcast . Music , my drive . Welcome to Iate Shandorf .
Speaker 3And thank you for coming .
Speaker 2I am so glad that you are here . It is so fantastic . We know each other . No , I follow you on Instagram and we have been friends on Facebook . It is so great , but for me , you are the first and foremost . You were the first one we sat on when we saw Eldorado . I was sat on that is what we wanted to do .
Speaker 3We sat on and listened to music . We sat on and listened to the .
Speaker 2TV show and you stood there and played bass in all the big Danish bands from the start of the 80s .
Speaker 3Just 20 summers 20 summers .
Speaker 2Were you only 20 summers this time ? No , just 20 . How ?
Speaker 3did you start playing bass ? I played bass . I started playing bass in a fun way . I am from a big family . My father was a classical pianist . He loved music in a very passionate way . It was a big deal . The music was great . He was also a music critic . He was a journalist at the time . He signed classical concerts . When my father signed the records he went home . He heard music in a low high . That is where the music came from .
Speaker 2It was like that it was in the body .
Speaker 3I was especially fond of classical music , but that was what I liked . When you have a passionate person around you , it is a waste . He got me to play violin . I didn't play it . I was out of a big child's club . My brothers didn't play it . I was 6 or 7 years old . I was a little bit of a father . Some people would try to get a good mood .
Speaker 2You got that chance .
Speaker 3I did . My father wanted me to play violin . I did what my father said , but he was very good at learning to play . He made notes that were red and blue and green . It was a great way to get into the child's club .
Speaker 2You got interested .
Speaker 3Yes , definitely . I listened to this low , high and the piano . It was great . It was so good . That is my history . I started to listen to music , but it wasn't the music that touched me the most , it was just that . I didn't tell my father that it wasn't fun .
Speaker 2So you got to play violin I was practically a grad .
Speaker 3I can read something before I go to school . I can read something before I read a book . I think it's nice . I'm not a mega talent , but I can touch it right away . The only problem is that it's hard . Have you ever been in a violin club .
Speaker 2No , I can't . I can hear it . My father was a block flute player . I was pinched by a classmate .
Speaker 3And you .
Speaker 2Yes , me too . It wasn't something to say , I was quite willing to play it .
Speaker 3I was at least listening to music in a way .
Speaker 1And that's what happened to me .
Speaker 3My brothers are a completely different place . It's jazz , it's rock , it's pop , it's jimmy .
Speaker 2They're all old-fashioned .
Speaker 3My father was a master in violin . We had a little private world . That's what we heard .
Speaker 2That's cool .
Speaker 3I didn't want to play violin , so I just got pinched . And you got to know , and my little brother started playing drums and my sister played guitar . At first I was 16 . Then I said to my father I don't want to play violin . I thought it was hard , but now I don't want to play violin .
Speaker 2You're tired of playing the violin ? Yes , and .
Speaker 3I'm happy he enjoyed it . The problem was that he was a little up in the league . I wasn't close to him . He had a Michael Petrie music teacher . He was a white child , he could do anything and then he came home and I could feel that he was a little . It's not something he's thought about . He was a boy at the age of 78 . He could do anything he could just do something . I could feel that I couldn't get him to get his hands on the table . It wouldn't happen .
Speaker 2It's a person who feels like he's sitting with his hands on the table .
Speaker 3The problem was that , as a music critic , he was also in the leg . He didn't put his hands in the middle , he wasn't pink , but he was fantastic . And you know what he said you have a kidney problem . You can be a future violinist . He said that I think he thinks that a violinist is as cool as a lot of others , but do you think I want to be a violinist .
Speaker 2You can be number two , I don't .
Speaker 3I don't want to be in the wrong way . I don't want to be in the wrong way . When I was 15 or 16 , I told myself I don't want to be a violinist .
Speaker 2I don't want to be a violinist .
Speaker 3My brother is in the middle . He's a violinist . There's Ekebaker on the way and also the drummer , gibson electric guitar . So he's been to the city . He bought a bass . It's 5,000 SEK . I'm 15 , 16 , 17 .
Speaker 3I don't remember the number he says you can play with the four strings . You have to play bass , we have to make a band , we make a trio and the first thing I learn is to play bass . And I scream bass . I mean , I'm holding a huge piece of cake . It's just basic music Plus . There's a bass on the piano . You don't have to play it straight .
Speaker 2You have a small piece you can play .
Speaker 3I don't want to be a violinist . Of course I have to play bass .
Speaker 2You're getting used to it again . No , because it's just fun .
Speaker 3Now I think it was fun . And what I don't understand is that bass goes into my body instantly . Okay , it does . I can feel the discontent . It's completely in the background and the vibration is there , especially when you start playing together . But drum sounds the whole rhythmic element . That's what .
Speaker 1I did .
Speaker 2Fantastic .
Speaker 3I couldn't understand what was going on there , so I had to play the violin . I could have played the saxophone for a while , for example the Wehrleburg . I couldn't do it , but it just interested me . I could go down and go up . It's so cool .
Speaker 1I love it and .
Speaker 2I didn't know that . But you're updating it or you're doing it .
Speaker 3I'm updating it , and it wasn't me who saw it .
Speaker 2No , you actually got it stuck in your hand . Your brother said we need this Play . Yes .
Speaker 3But no , and I haven't stopped playing it , I was just saying it's been a whole life .
Speaker 2Yes , the Dome with Bass .
Speaker 3Dome with Bass Four strings . Yes , it's just like that .
Speaker 2How did you get on with playing with your brother ? Because you're You're debuting . As you said at the beginning , you're only 20 years old .
Speaker 3Yes , but it's very difficult .
Speaker 2And you're already moving forward ?
Speaker 3Yes , but it's quite difficult , because now we're talking about I'm maybe 17 . When I start playing this bass , I'm thinking about it . So it's been half a year . My brother is going to play jazz .
Musical Journey and Growth
Speaker 3Yes , the Valle-Kill-Hit . It's the old days . Now it's moved to Valle , it's called Brandpia , and then there's Rock and everything possible , and I'm Genuinely , I'm blu-fair . It's nature . I can't just show myself and show myself no , every time . In a way , I love playing .
Speaker 3Yes , I love classical music . Yes , and I can't improvise . I can't sit like all the other rock musicians I know and take it to the higher notes .
Speaker 1So you can play it , I just need to have it on something or something else .
Speaker 3It's a puzzling start to the Rhythmic Universe . Yes , if I'm going to play it now and then give me the keys , put them up , ah , I can learn it quickly . But I can't hear it in the same way , because it's discipline . No In classical music , no . Then you read the notes . You don't hear music , is it ?
Speaker 2a theoretical part ?
Speaker 3Yes , it's like you're saying , bo , you can't tell the story before you read it . No , when you understand the story , yes , it's in there . Yes , and I've been a little bit worried about being in this Rhythmic Universe and not just be able to play all the Beatles songs .
Speaker 1I haven't played them , yet no .
Speaker 3But give me the keys yes . So what's happening on this jazz stage ? I'll do it briefly .
Speaker 2You can't do that all the time .
Speaker 3I don't dare to be on the same level as I usually do , but it's the best . I take the big band with tons of music , give it to me so I'm safe zone , but it's really fun .
Speaker 2It's fun where we all have chosen the song , or you just come there and say You're a ding dong Exactly .
Speaker 3You chose the hardest part , I just wanted to have that one , because then I'm like , yes , and you just don't have to go far . No , then I can't go . No , then it's not like that . So I play . After I've maybe just played bass for a year , I'm sitting down on a jazz stage and I was 17 years old and I was completely nervous to play with Chad Jones Big Band . Wow , but fine . Yes , that was fine . For me , it's just that I'm dry , and then you're busy .
Speaker 2Yes , I'm busy , why I've played in symphony , orchestras and orchestra quartet .
Speaker 3I don't know what , where we sit in a connection . It was my natural .
Speaker 2It was your safe zone .
Speaker 1Yes , it was my safe zone .
Speaker 3So that's why I could sit and play a theme .
Speaker 1Yes .
Speaker 3You could play a little bit , a little bit , a little bit , instead of playing bass . Yes , exactly , but it's not a problem here , no , but what it does is that people down there and teachers what do we have here ? They think I'm a bad boy .
Speaker 1Yes .
Speaker 3So I quickly came along in a lot of bands yes Blast , where there's a funk-big band called Salsona Mavar , where you had some good .
Speaker 2Blast , maybe one of our very big what is it called ? But very , very dry music , so Blast orchestrated funk-big bands .
Speaker 3Yes , that's one of the first things that I'm asked to be involved in , because Bjarnet Tanning , who was the trumpet player down there at the . Bambiadstevenet . He had seen me there with the John's Big Band and thought she's there .
Speaker 2She's there , she's there , she's there . We love her .
Speaker 3Yes , but because it's a funk-big band , I'm very lucky because it's this bass . So it's been 21 years , Wow . So that means that Salsona Mavar is also a band that I love . Cuban music .
Speaker 1Yes .
Speaker 3And I also came along because there was also a little something , and I started with standing in a studio . I played with them . I've never been in a studio before . I've played in two .
Speaker 2Yes . And how did you end up going to school ? Did you do something else or did you go straight to music ? I'm a rocker . Yes .
Speaker 3I'm very quiet , but I can't go to school .
Speaker 1No .
Speaker 3I shop around at seven different places I can't do that well , no , but I can't do that well , no .
Musical Passion and Expression
Speaker 2I mean , I'm not that you just have to give your price that you have to take care of yourself .
Speaker 3Yes , yes , yes , but inside there's a little bandit .
Speaker 2You know you're good at things that you just and get over it .
Speaker 3You just let it go . Yes , for sure , and that's what I play so much . It's a passion . Yes , I love music and playing bass . It's good , as I said , all my body what it sounds like and playing together with someone . I don't have to be soloist , I don't say that much , but that's what we play together , that we feel after each other and don't think about my feelings .
Speaker 1I mean , I have the best space and it doesn't make any noise no .
Speaker 3And if I play with a drum player , which I'm not necessarily a person , but I can play together with him for a minute or two , yes , of course , and if we can , it's like having sex , yes , I mean in a completely beautiful way , fantastic . It's a little bit under , but it's not like having sex in that way . It's erotic , yes , it's intense , yes , and if the rest of the band is playing together .
Speaker 1Yes .
Speaker 3Not everyone can . No , no and not everyone can find out about playing together because we are different , but now it's a success and I think all the musicians know that , yes , you do , then you're a little bit in heaven , yes .
Speaker 2Yes , but it's all about playing together . I've never been so good at playing together . So no , it's a feeling , yes , but it's like it can be well known when I've made music and things like that . You can feel that there's something there , there's something even better than everything else . Exactly , yes , it's clear , and then you have to get through it too , yes , and it's about being open at once yes absolutely .
Speaker 3And that's not something I'm proud of . It helps when you're proud , you can take it as a higher level . Can you say yes , exactly , but you have to be fundamental to be free and to be a channel-wanderer right ? Yes , if you understand .
Speaker 2Yes absolutely , and there are some skillsets because you start playing with brass and they're Cuban things . But you also meet a man , at a time when you come to play with him , who has gained a little meaning in your life , as you say here after a few years .
Speaker 3I'm very much in love with the musicians , especially in rhythmical music , who can just play without any sense of something . In any case , I think that's it . So when I want to play because I play a lot I have to play to Jazz Festival with SoulBand , so the guitarist can't play that day , so he's released . His name is Paul Halberg .
Speaker 1Yes , how did you hear about ?
Speaker 3Paul . Paul is something I haven't heard about at the time , as everyone else knows who he is . He's a nice new when he's just like , ok , fine . But what I'm really interested in is that this solo artist , who's just so nice , has a great mappe with 460 numbers we play with him .
Speaker 3We have to play with him the day before , who knows , not enough . So we mark the notes . We have to have a new guitarist with us . Paul comes down to the stage , he gets the mappe and he has no more room . No , no , no . But he cools the mappe down in his ear because he can't use anything . And then we start playing and he asks what does he do ? He just plays all the numbers because he can hear where they're going ? He doesn't know the numbers , fuck .
Speaker 2He plays them Motherfucker . So it's an absolute opposite . Yes , I think so .
Speaker 3But also a surprise is to be able to know , and to know what's in such a crazy flow .
Speaker 2We always see the one who can do what we can't , who can't do what we can't . It can be good .
Speaker 3Yes , so I'm going to be well , now I know what it is . Passion I've grown up with a crazy passionate father . I'm passionate , that's what you mean .
Speaker 2You can't underestimate that , if you feel like you're in your shoes , Passion is a big thing .
Speaker 3He's the one who goes down and plays to an exercise . We mark . He marks Fuck , never we play . Not the show , we just play . So when there's a solo in these numbers , we take the legs and then we go to the rehearsal and you're like no , no , we play just the numbers .
Speaker 3We play just the numbers Okay you get the guitar solo there and he plays so incredibly cool man , that's a fucking day . So I get a big pulse for 30 seconds . And he has that push-and-run feeling that when he starts his solo he's so much to the point that he never drops out . He doesn't know what to think . He doesn't have to show off the thing I just left yesterday .
Speaker 2No , he plays with it .
Speaker 3He plays with the feelings there and I just keep it up . And then he has so much power he's 20 years old and he can do it in a way that I think it's a power .
Speaker 2What is it for ?
Speaker 3And I'm being flippered over like the other dissos . He's under with the guitar soloist and he's trying to play the funk Shit .
Speaker 2That's how it is Fantastic . And you're going to be in the oppa from that day to still that day today , right ?
Speaker 3Yes , we're getting closer to that summer , yeah , yeah .
Speaker 2Was it because of the bass ?
Speaker 3He gets mad at me . I can't believe that . No , it's not true . Yes , he's a very sensitive man and that's not to be seen here , but he's very stubborn . He doesn't have the words in his power , he doesn't use the words , but he lives in his music and he's very sincere . So when he wants me to play with him , it's not because I have blue eyes , so it must be because he cares about what he hears .
Speaker 2No , he thinks about it .
Speaker 3He's been chosen by several things and I would say that in the half-bass where I come with him it's not him who chooses it . Whereas I'm chosen by him . There's no bassist . I'm a little bit there and smile and think that now it's . Now it's me Look at him and say , no , it's not going to be you , because it's wrong , because I like to take my love with me .
Speaker 2I'm like I'm like Yoko Ono . Then you split it all .
Speaker 3No , so I get a little nervous , but that's it . But his keyboard player , so-called Jörg Kaufman , is aware that I'm found and he says to Borgs I don't want to be with you Now , it's a game , you have to be with me . He plays the piano , and then he says , OK if the acceptor comes out of it , it's not like him who has you know , I don't think it's conscious . But that's how it was .
Speaker 3So in that way I'm actually coming with him it's not like that , it's not like that , it was not the game at all .
Speaker 2It was fun . You have something . I played music and bass and I can just remember that it's you who plays on the air . Yes , yes , and then I can just hear something . It's very fun because you tell before you play solo , instead of just saying boom , boom , because I think you do that .
Speaker 3It has a certain theme . Yes , you play themes .
Speaker 2Yes , you have a whole different life in that . I think Exactly that number .
Speaker 3You can say it makes a basic quid you do , you do , you do . It's so long , isn't it ?
Speaker 2But you also play more tones than in the original .
Speaker 3And my fingers have been in place since I was little , so they pierced me .
Speaker 2They want to go down , they want to go down .
Speaker 3So , and this little less , I had the feeling that I would never have sat and been raised as all the others did . I was surrounded by . It made me think that I didn't think I could do anything , but hold on , I've got the phones there .
Speaker 2Yes , yes , that's it .
Speaker 3It's fun you're sitting there saying that you couldn't do anything . I can't care less if you just can't afford it . All the others sit and play .
Speaker 2It's hard work , even if you're a layman .
Speaker 3Yes , but I also play a lot .
Speaker 2And it also gives you some experience .
Speaker 3I play so much that I don't understand it .
Speaker 2It gives you more than it does to exercise .
Speaker 3It gives you a double .
Speaker 2But I think it's been a sign of your . I've heard a lot of things you've played on your news . It's a sign of your bass playing . I know that there are many themes in your bass . Do you know what ? Now I'm really happy for you , because what I ?
Speaker 3remember and what I've been known for is that I can play the couture . What does that mean ? We played that a lot in the 80's . Yes , yes , yes .
Speaker 1The S-Björhavn .
Speaker 3I played that a lot if you listen to LP from that time . So the feeling I actually love the bass .
Speaker 2But you build on it , you get the theme built in and it's stable .
Speaker 3Thank you .
Speaker 2I've noticed that with your bass playing On a lot of releases .
Speaker 3It's also nice that you're producing the number You're just being played in . We'd like to know I'm not going to be the second master , they just have to stop . And then I'll say you have to do that , but they still love it .
Speaker 2And have you been good at doing what ? They want , or have you been good at trying to get your own ideas ? Now I'm thinking that you should play on a bass that you weren't on , but as a studio musician .
Speaker 3You get a lot of ideas when you're being played and I'm not a live-run-dear . I don't really see myself as that , I'm just who I am . But I also hope that when I get in , it's because it's me that they want and not just a bass , because I might have my little impression of it .
Speaker 2You have your little impression of it .
Speaker 3So it's a nice mix of what they say , because I'm sweet , and then it develops and I start saying do what you want , and then it's me that gets into it . I want that one .
Speaker 2Yes , yes , yes , take that one , then I'm in , but you've come to deliver what they want To make the father happy .
Speaker 3That's the best thing I've ever done . But it's a bit .
Exploring Women in the Music Industry
Speaker 3There's a lot of music that lives on . You know live-run music , young and old music .
Speaker 2Have you ever felt like you're in the foreground ?
Speaker 3No , no , no , that's not what I'm saying .
Speaker 2No , You've been good at being the team player that keeps the rhythm with the drum teacher . He said that .
Speaker 3Yes , but what you can say is that it's the same thing , it's the current , with others . That's what I'm saying , because then I get bigger than this , and I won't be able to play solo . I'm not soloist , and those who are are what must be allowed .
Speaker 2And what is it ? And you have to be good to give space to yes or .
Speaker 3I supply all the time I can say that he plays a lot with the ball , which is solid . I give him . That is kept . He does not allow to stand there . No , so you can play with it .
Speaker 2Yes , and how is it that you come into it ? Because we are talking about . You are 21 years old , that you are just standing in this mega of all the music that is so big . Can you say that there are not many women standing there and I am just the last ?
Speaker 3No , but I am out of a hippie time and I am out of a time where women played many more instruments than you might think they should have played drums , guitars , trombones , saxophones . There were many women playing in the 80s , but I am touching the pop scene and that is where it gets crazy .
Speaker 2But that is what I mean . I am sure there are a lot of hippie orchestras .
Speaker 3There were many women playing . There are not so many who got to know .
Speaker 2No , I do not think there are so many who have been so advanced as women's bassist , who have played pop for so many years and have been on the field and have been on the tour and have been in the big stages . It is more than what I think .
Speaker 3I have been privileged and I have been really grateful to the people who have recognized me . Yes , is it out of my mind ? I have been missing the trust , and that is true .
Speaker 2Yes , it is it does not matter and you are afraid to say that I am good . I have never said that , no , but that would be nice to say that you are . You can use it for whatever you want , I will take it .
Speaker 3Yes , you should do that .
Speaker 2I think it is quite interesting that the music world and the whole world is almost not exactly the same . But I am a little younger , but in 1994 and 1995 , there has been a place in music industry and in music industry there has been a lot of violence for many women . Can we see here , with what Mii2 said and what there is to be and what there is to be and what there is to be ? But you have of course had Paul all the way through , as you say . Has it been a big help to not get into a lot of stupid situations ?
Speaker 3Yes , but I have always been self-driving . It really should not be , I do not think that I have been in a stable house .
Speaker 2No , that was the main point .
Speaker 3I have grown up with women who could themselves . I have also seen the over-examination that I can do everything , so there is no one who has to help me here . I am so engineered type and maybe not want to be a soloist . That is something else , but that is why I am also allowed to be here . I can actually be allowed to be , me and now I am saying back Mii2 is over-examining and the power of the demonstration .
Speaker 2I think it is more about the power of the environment than the women .
Speaker 3And that is not something I personally have experienced . There is no one who has been after me in that way , so I cannot refer to the fact that I have felt very bad and stupidly offended , but you have probably been more successful in the man world .
Speaker 2I have just been over-examined .
Speaker 3Yes , but I have never had a problem with it . So the only thing I think has been a little bit of a lie is that I am so music nerd . I love music , I love talking , I love going into details . It touches me Me too . So I am not going to admit that I am a woman , just music . I am me . I cannot be a nerd .
Speaker 2No , it does not matter .
Speaker 3But there are really many who would like to talk to me in the future and make interviews and say how it is to be a woman musician in such a man dominated world and blah blah , and I can be interested in what I am talking about . Can we talk about music , for example ?
Speaker 3So I would like to talk to you , but that is just what I have been allowed to be me and I play as I want and I do not feel focused on it , or have you fucking know ? I stand there and play you have not noticed that .
Speaker 2No .
Speaker 3And I hope that I am allowed to play because I am a woman .
Speaker 2Yes , it is my touch . Yes , exactly , and so it is . I have been allowed to play .
Speaker 3So I have been allowed to say and tell you how it is to be a fucking woman musician . I am a musician , I am not . No , it is not for you . No , it is for you , but I can not deny that I have had it under control .
Speaker 2Yes , I have been privileged . And a fantastic , long career From the start . Four such , for example , with record recordings until now we are in 2024 . And the only outbreak that has been in music is what we all had with corona .
Speaker 3Yes , that was a short outbreak . Yes , what is happening there , jette ? Yes , it is good that this is not with pictures on .
Speaker 2Yes , we take it back afterwards .
Speaker 3Yes , but then it happens under corona . What exactly is it ? Yes , it is actually , then I will be allowed to play for one day until the other , or we all do it . Yes , and I will be isolated because I think that I know that with it , suddenly , we all had corona . Yes , yes . Or maybe soon next .
Speaker 2Yes , exactly Then we should not be together . Maybe we just got cold all the time At that point .
Speaker 3Yes , he was very aware of that . But I am out of a big family and have never been alone or either sought it so I suddenly get isolated . So it is in there three weeks , yes , where I have to , and I have not been corona .
Speaker 1No .
Speaker 3And then I come to . I say hold on , there is keff and I think it's nice to be all alone .
Speaker 2Yes , so you are alone for the first time .
Speaker 3Yes , but I can just play music when I want . I can be with and buy in a lot , and then I will have everyone else . Just have it nice . Yes , I do not have to do anything else . No , and that is also a beautiful thing . Yes , and so I am a light person .
Speaker 1Yes .
Speaker 3I have such a good mood , yes , and I love dancing , I love music and music , and so I just sit there full of noise on the floor , and I can remember that I lived in a house where there are some relatively big windows and the sun was shining in there in March and April . Yes , so I was just going to the toilet and then I went around the table and then I thought it was nice to be free .
Speaker 3I was not someone who should see no , and then there started a journey for me that I had never seen before . Never in a house .
Speaker 2And we should just say that you are 60 years old , I am 60 years old .
Speaker 3Yes , I think that now I will be old , I am a little over-wintered when we are going to break the wall here . Yes , and in some fun places I have been up and down with my body and I have never been happy with it and it was very , very bad . And suddenly I danced around in the chairs , yes , and then something completely went wrong .
Speaker 2You would like to ?
Speaker 1hear it , if you could tell yes it is part of you .
Speaker 2I think it is part of the music and part of what you will probably continue in the future .
Speaker 3What happens is that I will , at random , start to do up with my body . Yes , ok , I want to see it in a new way . I give it a chance .
Speaker 2It's fantastic .
Speaker 1It's so much fun .
Speaker 3I start taking pictures of it myself . I have a mobile camera that I can use in a selfie function . I have 10 seconds to take pictures . I use those 10 seconds to look into my screen . I just split the pictures . I make a picture of myself . I don't just take pictures of myself . I have two children and now I'm 30 years old , it's okay . That's not what I am . I want to make a poetic expression .
Speaker 2I want a beautiful expression you don't want to be special about your body .
Speaker 1It's been stupid .
Speaker 3I don't want to give it a lot of attention .
Speaker 2It will be under Corona .
Speaker 3It will be under Corona . I will get a new attitude to see it . It could be beautiful , in my opinion . I will help with this technique .
Speaker 2I will take a full picture of it .
Speaker 3I can't take pictures of it .
Speaker 1I can't take pictures of it .
Speaker 3I can't take pictures of it . I am so tired . I have good friends with my body . I can feel the electric current . I can feel the boost of my body . I have always been erotic with music . When I take the bass off , it's not like that Then it's a little bit more practical .
Speaker 2It's a little more practical . It's always a word .
Speaker 3But suddenly I start to feel it and notice what it does . Well , I can't choose .
Speaker 2I don't think there is any . It will be for myself .
Speaker 3But you will be friends with your body .
Speaker 2That's what I have now I have never had . I am very tired of my body . I am completely happy . I am also happy If we go to a party . I always end up in a hurry .
Speaker 3It's 100% true . It's not a good story .
Speaker 2I think it's fun . I have never been tired of it . It's fun because my 12 year old is in the bathroom . It's the most important thing in the bathroom . It's not that my parents come to the city . I don't go to the city because I take a bath as if the next generation you have heard a little about the hippie generation , but you have had one thing with the body that is released you have been here for 60 years .
Speaker 3I grew up with the fact that we were young , we were teenagers .
Speaker 1It was a different time .
Speaker 3The childhood was a different issue . It was a different thing .
Speaker 2It was just a natural thing .
Speaker 3It was something we were . I think that's what has been in me . It's natural and satisfying to be friends with your body . Everything was there In the late 90's . We had all the money we had . We had to sleep all the time we had to hit the floor with everything Otherwise we would be sad .
Speaker 3I let you go . I had scared my kids . I could feel that they didn't care . I was happy . When I was in the bathroom , I could see that I was like Kevin , we are going to get in . When I was on the beach , I was scared . I was like I can't just stay here . I'm not going to go , of course . I'm not going to go .
Speaker 2It has been a whole new experience .
Speaker 3You don't have to go .
Speaker 2You have to make the right decision .
Speaker 3You have to do what your father thinks . It was a bit funny .
Speaker 1I was a psychologist .
Speaker 2I was like I can't play the violin . I was happy to play bass . I can't have my toy .
Speaker 3You want to let it go . It's funny , it's so funny . You have to figure out how to play the violin . You have to make a bow with eyes . You have to tell me how you came to be friends with your body .
Speaker 2I had teased you . We never talk again .
Speaker 3We have to talk . I didn't see that coming .
Speaker 2You had to give a bow with eyes . You had to play three times . How was it ?
Speaker 3Ten seconds . It was my dream . I have no one to picture . It's my challenge , it's my creative project .
Speaker 2It's funny . I think it's funny to hear that there are some parallels . You have to play the violin .
Speaker 1You don't have a baton .
Speaker 2There is a country that comes in late . It's a free and special time . We live in it now .
Speaker 3I think you have to have a promise to do what you want .
Speaker 2Of course . You don't have to give it a bow .
Speaker 3If you have a love message , I have a love message to be nice and wise , you have to share it . If you have the chance , it's up to you . It's a woman's breast . You don't have to show that it's so unfair . I think it's a burden , it's a completely wrong thing , it's a different time to live in .
Speaker 2It's a dream .
Speaker 3You play with .
Speaker 2Paul in your childhood In your childhood In Halberg and Friends In your childhood . I know some of the pieces in the band . I know Heidi . I was on tour for 25 years . I know Gorm .
Speaker 3Gorm .
Speaker 2I play keyboard , I feel a little bit with him , I can say that I play all the time . I'm friends with Heidi and Gorm on Facebook . How is it worth playing after the corona ? Have you seen your bow ? Have you helped the audience or someone else is watching ?
Speaker 3I can't say that , but I want to say that there is a lot of money . People are watching the other way .
Speaker 2They are talking about it . I want to say that you were afraid that there might be a reaction . It's been very quiet .
Speaker 3It's been very quiet . I can't talk on the table , but it's very quiet . We don't talk much about it .
Parenting and Music
Speaker 3I'm totally happy . I'm more excited than ever . It's funny that I'm free . I'm not happy to be overshadowed by personal limitations . I have a lot of things to do .
Speaker 2How do you look ?
Speaker 3I've overcome some limits . I've done it in a good way . I've made a gigantic accept that I'm okay , that I'm playing on the bass .
Speaker 2I'm not going to have any problems .
Speaker 3I'm not going to have any problems .
Speaker 2It's very nice to show what we can do .
Speaker 3You can go down to what you thought you could and can't do when you're motivated . There's been a reaction from me .
Speaker 2I walk here and there .
Speaker 3It's been a great pleasure .
Speaker 2I'm happy .
Speaker 3It's spread out in music and in my surroundings . I can only recommend being happy .
Speaker 2I'm not saying it's a good day , but I'm happy .
Speaker 3You seem very happy .
Speaker 2I'm very happy , but I also had my day .
Speaker 3I'm not . It's a forced positive .
Speaker 2No , I'm not . I'm happy too . We're sitting here . You have two children . Yes , there is Paul . How do you pray when you are so musical and play in the biggest bands for so many years ? Do you pray your children with music ?
Speaker 3Yes , I thought my children would have the most beautiful world , because I have had the sad list .
Speaker 2Violin which two .
Speaker 3No , no , they should go to the band also . Yes , and we lived in the neighborhood and I got them up and it was nice and there are no other war places and music and culture personalities that are all around . Yes , and the funny thing is that Paul and I are playing all the time . We don't press our children to do something . I know that you don't hear that , but if the son of a guitar was a show bang then he stood there A guitar .
Speaker 3If he was perhaps the son of a guitarist , then he was a guitarist , but my daughter died with the son of a guitarist . Oh , we only had the chance . But we have two children who are so considerate and have no need for the work of the show or the performance of all the music that they enjoy , love music , but they should not be exposed .
Speaker 2It's funny because you have talked about another one that you also had . It was Lars Rante . You know actors , lars Rante . Yes , he also said that my eldest . He produces music today and is going to the tournament in the north with some American artists and such things . But he doesn't need to understand that I have created myself with the play he always plays . It's like he's sitting back and playing the guitar over there and it's fine for him or not fine , but that's what he loves about it . He said he's sitting there and he's not going to look up , just like I am . They are in the front . They are two there . It's okay if we don't stand there . Do you think it's a bit of their own fault , just like you yourself have had with your parents ?
Speaker 3I would say I have been . I think I have been a little calm here . I have been quite good at letting my kid be who they are and also , yes , and to be able to make the way . They think I have understood them if they can notice at their time that they are sitting in the right place or not , it's a joke , yes , okay .
Speaker 3Also , if they have to find out what they are going to do , then they have to correct it . Is there something that makes you think , wow , I can't be with you , then you have to do it .
Speaker 2Yes , exactly .
Speaker 3And whether it's music or what I want , my son is a physicist . Yes , it's a sat-down hammer-stead , isn't ?
Speaker 1it .
Speaker 3Yes , and my daughter is a multitasker just yes , and I am a school teacher . I take pictures and listen to music and everything , and I have the pleasure of doing it .
Speaker 2That's important .
Speaker 3As she thinks is the best , and they hear a lot of music all the time . Yes , but it wasn't fun enough because my son , when he was at the kindergarten , we called him yes , yes , so it's a school year . It's a school year , yes , so you sit in the middle of the family and then he gets his shoes on and it's 12 years and you say now , thomas , what's your worst fear , or your worst fear in school ? It's such a small feeling .
Speaker 1Yes , yes .
Speaker 3And then at the same time he says I hate music and that's because they always had to perform . Yes , Just because they could play a little peter and come up with one finger and they would perform . Yes , and he can't perform for three years . And especially if it's something he doesn't really know . It's a bit scary . So it was very ambivalent to have a kid who went there and had music .
Speaker 2Yes , yes , you can say that too . But you have such a big passion , both you and your husband . But he loves music .
Speaker 3But he just Music is called music . Yes , the name of the song is not called music . But if they have to suck , it's called suck .
Speaker 2Yes , yes , and food , so it's food , yes , yes .
Speaker 3So he doesn't hate food . But he probably had a workshop where we teach and make food .
Speaker 2Yes , yes , yes .
Speaker 3He was a big fan of music . Yes , I understand . I'm not interested in the competition anymore .
Speaker 2No , exactly , he has seen his parents perform really well . Yes , but just let me be yes , yes , yes . What can happen in the future ? You are playing on live music . Is there any big interesting show ?
Speaker 3Big show , I mean , or just , exciting things .
Speaker 3It's not that big , no , but the good thing is that I play a rock band that is inspired by something old , something old syrupy rock that we were inspired by . That we were young and there Paul and Beke Günder started making some new numbers themselves in that age , which we have completely changed with his play . Really , it's pretty cool . Yes , it's fun Turn it off and then we play his song . Yes , in many different constellations they actually live a pretty special life because there are many who know his song . They didn't really know it was him who made them . No , no , but you often connect a song with the singer the singer in it ?
Speaker 3Yes , but we all play what he has done . Did you make the song ? No , I didn't . I have made it bass , is that right ?
Speaker 2And you never wanted to write a song in it .
Speaker 3No , I could find a book . Write some lyrics .
Speaker 2Yes , and you have written some lyrics .
Speaker 3Yes , I just go out with it , but no , I have had it .
Speaker 2It's been a long time since you've been in music and you've been playing some songs and now you want to write a song yes .
Speaker 3It's just a pleasure to play with someone else . It's been a whole life . I have fallen into the tone of music . Yes , I haven't been out . It can be . You have just been out , but I want to say it's about being in a house with a man sitting down and playing , and playing the song in split seconds .
Speaker 2It can be like it's sitting down on the floor .
Speaker 3It's sitting down on the floor he's so much better . He's been playing the song all the time .
Speaker 2But he's really a very good singer . You have to say that . He's proven that more and more times .
Speaker 3So maybe he doesn't want to hear me . No .
Speaker 2But , I don't feel like it's . It's not about being a bass . I have to keep my father . He's so good .
Speaker 3No it's not really about that . I have everything for me , the whole room to make a thousand things , so I'm not sitting there , you're actually playing . Yes , and I'm sitting in the back room , it's actually not nearly an hour . Yes , but you have to try to see where you have tripped a little in the last ten seconds .
Speaker 1Yes .
Speaker 2But , yes , we're also going to end here , so it's going to be great . Last time I spoke about everything when we're dying and we're going to be pregnant . Should there be music for your pregnancy ? Oh , yes .
Speaker 3Yes , Now you're asking my parents . They wanted to spread the word about the sea . Yes , and we were probably asking them , the dear ones , if there was any special music , we could have that .
Speaker 1Yes , I think so .
Speaker 3And then my father sat with his star in his eyes and he was a thousand years old . He said it should be Carl Nielsen . And then he got Carl Nielsen on full curtains . Then he was spread out over the sea up in the room . My mother was much more romantic . No , it should be Superlita . So she got Superlita A very , very sweet serenity You're looking forward to doing it as they did ?
Speaker 2I think so .
Speaker 3I know it can be difficult to ask , but I want to have a folk festival . I want to have a dance . Hold on now , you can . I know everything . I'm just looking forward to it .
Speaker 2Do you have any number you think you should be in them ?
Speaker 3Up the creek without a paddle , with Temptation and Larry Graham . I don't want to say I'm dying . I'm not , but it should be . I don't know , but hold on , it could be a lot . And then I'm also a sugar for melodies . I can go full-time in the trees and smoke in the song , especially the song . I think , it's difficult , so it has to be a festival .
Speaker 2Yes , but we hope it's a long time . I don't want to be a festival , but we hope it's worth it .
Musical Inspiration at US-Museum
Speaker 2Thank you very much for being with us .
Speaker 3Thank you for being with us .
Speaker 2It was a great pleasure .
Speaker 2It was also a pleasure , thank you very much Thank you for joining us at this US-Museum at Kallbott-Karast Music mid-druck . I hope you enjoyed the music of the Tryllin Universe and found inspiration for your own musical journey . If you'd like to listen to today's guest list over the youth number , you can find the list on the Music Locals Spotify list on Spotify . I look forward to exploring more aspects of the music's leadership in the coming episodes , which can all be found on Spotify and Pottymove . So until next time , let the music continue to be your most trusted leader . If you want to listen to good music and good music in the real world you can find the music local , right under the Nightclub-Museum in Lille Kongensgade in the København region .