Dream Session: Nightmares & Unlocking the Secrets Hidden within the Shadows with Lorree Appleby

Lorree Appleby is a Certified Radical Living Master Coach, Intuitive Energy Healer, Certified Inspirational Speaker & Creator of the gamified self-care practice Soul Adventure™ Journey to the Real Me. In this dream session episode, Lorree shares a nightmare about uninvited guests causing harm in her home with her husband, dog, and cats. Megan uses the DreamMirror Method to interpret the dream and explains that nightmares have the strongest impact on us, and can be powerful and upsetting, because we are not addressing the message in the dream. By understanding the message and unearthing what the dream is saying, we can dissolve the nightmare and learn that there is hope and light in the darkness. The session ends with an oracle reading which encourages Lorree to begin on journey towards authentic new experiences.

This episode was recorded during an epic thunder and lightning storm in Idaho. The power actually went off during the session, causing my video and audio to freeze, what a nightmare! I want to thank Lorree for her patience while power was restored and for sharing her dream!

"I learned a lot about dreams from having my dream analysis with Megan. It gave me a deeper understanding of how my dreams are my subconscious playing out and that there's a deeper message for me when I look at it as metaphors for my psyche. I'm going to pay closer attention to my dreams from now on, thanks Megan!" - Lorree Appleby

Connect with Lorree:
Website: https://ourpurposefuljourney.com
Facebook: https://www.facebook.com/LorreeAppleby88/
Instagram: https://www.instagram.com/souladventuregame/
Youtube: https://www.youtube.com/channel/UCyaa71zSMt7RJ6JnWndUiHg
Linkedin: https://www.linkedin.com/in/lorreeappleby/ 

Transcript

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Megan Mary: Okay. So today we have Lori, and she has a nightmare which we are going to be examining and analyzing, and her title for her nightmare is uninvited guests in my home causing severe harm.

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Megan Mary: I'm going to read you the entirety of the dream. and then we are going to discuss it part by part

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Megan Mary: I was at home with my husband and our dog.

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Megan Mary: Suddenly there was a tiny kitten sitting on our windowsill. I picked it up. It was so sweet. Then my husband discovered 2 more full grown cats in our bathroom.

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Megan Mary: Our dog, who generally does not like other animals, didn't seem to react.

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Megan Mary: I went into our spare room, and a large dog like a Doberman, but light colored, was lying down on his side, legs stretched out sleeping.

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Megan Mary: This all felt very strange to me.

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Megan Mary: Then I see 2 people go downstairs into our basement.

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Megan Mary: I told my husband I was going to find out what was going on because one of the woman looked familiar. He stayed with all of the animals. I went downstairs.

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Megan Mary: and our basement was transformed into a very abstract decorum that had many rooms. More people all around

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Megan Mary: seem to be gathered at. Some sort of

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Megan Mary: it kind of looked like an event space as I saw things. I can't recall what they were, but they were for sale at a desk. There were couches and chairs and lots of rooms. Our basement is not this big, but the space it's somehow enlarged and was transformed.

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Megan Mary: I saw a woman I know and trust, and she was happy to see me, and was putting on clothes. It looked like she was leaving.

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Megan Mary: It felt very strange, and was looking for answers.

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Megan Mary: I also felt a little relieved when I saw her. I remember saying to her, Okay, I feel better now that I see you are here. Because I trust you. she agreed, smiled, and then she was gone.

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Megan Mary: There seemed to be some commotion going on near the back of the place, and me and other women were told we needed to go to another room.

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Megan Mary: I don't really recall what happened then. That part is blurry, but I remember it felt like some kind of ritual was happening. Then we were suddenly told we must leave now for our safety.

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Megan Mary: If we stayed we would be in danger.

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Megan Mary: I had no problem with that is so. I was leaving. I walked by a room, and 2 older men were lying down. One said, I'm not doing very well.

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Megan Mary: The other nodded his head, and then I felt the urgency to keep going. So I did.

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Megan Mary: We all went outside. The 2 men stayed where they were. Outside. There was some kind of big vehicle where the people were all going. I saw a woman I remembered from my past.

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Megan Mary: We didn't know each other well, but her name came to me instantly. I asked her, are you, Cheryl?

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Megan Mary: She said. Yes, I didn't know you did this kind of thing. I asked her. What do you mean? Drugs, cocaine? She didn't really answer me, but kind of nodded and went into the vehicle waiting for her.

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Megan Mary: I felt an urgency to go back home and check out my husband. I expected that all long he was safe.

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Megan Mary: and I wanted to tell him what I did, what I had discovered.

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Megan Mary: As I was heading to my front door, some people drove up and were heading into the basement.

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Megan Mary: For some reason there was a new entrance to it, and an older man, who seemed inebriated, asked me where to enter, and I directed

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Megan Mary: them to the door I had left because I was anxious to get home. I didn't want them following me.

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Megan Mary: I came in my front door, and my husband was there. He had no shirt, his face was bloodied, it looked like his left nipple was open, raw, his left shoulder had a tendon hanging out attached to his side torso.

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Megan Mary: He was breathing heavy, and said. Look what they did to Aries.

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Megan Mary: I turned around, and on the ledge of our front entrance was our dog.

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Megan Mary: His head was alive. He was panting, with his toy in his mouth, and the rest of his body wasn't parts.

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Megan Mary: It was like my husband had brought all his pieces home. Couldn't put him back together.

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Megan Mary: I screamed. No! And then I woke up.

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Lorree Appleby: Hmm!

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Megan Mary: That is a fabulous dream record. but not a fabulous dream.

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Lorree Appleby: No, yes.

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Megan Mary: So where we're going to start is at the beginning.

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Megan Mary: and I want to look at each scene first. What's happening in that scene?

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Megan Mary: So you're at home with your husband and your dog.

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Megan Mary: and you see this tiny kitten sitting on your window so. and you pick it up, and it is so sweet. So let's talk about the kitten first.

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Megan Mary: Tell me about the kitten. and

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Megan Mary: what it was like, and

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Megan Mary: how it made you. What made you think over how it felt when you saw it?

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Lorree Appleby: I guess. I was surprised, obviously, that a little kitten was in my house.

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Lorree Appleby: Now it's Co. What's coming into me. In the past I have found a kitten, but not in my house, but outside, actually not far, and

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Lorree Appleby: That was the cat I had before we had before Aries, and she died tragically. because of me, accidentally.

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which is another whole story. But So when I saw I I just

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Lorree Appleby: it was I don't know. It was sitting in some little like Mini tiny bed, and I just picked it up. And I was just like, Oh, my God, it's so cute! But I was thinking, Oh, my dog is not gonna

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Lorree Appleby: like this because he doesn't like other animals. He's, you know, he gets aggressive and afraid. So

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Lorree Appleby: it was just strange. But also, like I was drawn to it.

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Lorree Appleby: We'll say. okay?

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Lorree Appleby: And I remember it was like a little tabby kitten. Yeah.

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Lorree Appleby: yeah. And then suddenly, your husband discovers 2 more cats. But they're full grown in the bathroom.

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Lorree Appleby: Yeah.

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Megan Mary: So take me back to when that happened.

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Megan Mary: Did he say anything?

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Lorree Appleby: And how would they? Different from the kitten?  Well, they were full grown. They were, kinda you know, cats kind of rub up against your leg and stuff. They were doing that.

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Lorree Appleby: and our dog was there. But he wasn't reacting. And

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Lorree Appleby: I think we just both looked at each other like, what's going on? Where are these? Where is this? I'm like? Look at this kitten. And he, you know, saw we saw the cat, so we didn't really say a lot. It was just we were looking at each other like

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Lorree Appleby: what's going on. And and then it all happened so quickly

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Lorree Appleby: the cat like. First it was the kitten, then it was the cats. Then I saw the dog, and then I saw the people so it was just so fast that I didn't really have a chance. Excuse me to have a reaction. Much of a reaction other than this is strange what's happening.

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Lorree Appleby: And and then it was the next scene, you know.

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Lorree Appleby: Oh.

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Lorree Appleby: you're frozen!

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Lorree Appleby: Oh, so

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Lorree Appleby: everything happens all

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Lorree Appleby: so everything happened so fast from one scene to the next, still seeing the kitten, seeing the cat, seeing that dog in the room, and then seeing the people, 2 people walking downstairs. It happened so fast that

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Lorree Appleby: my husband and I were just looking at each other like what's going on. You know. It was that kind of thing we didn't really say a lot. And then when I recognized one of the women going downstairs, I said, I'm gonna go find out what's going on, because I think I like. I thought I knew new one of them.

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Lorree Appleby: and it is that woman that you saw going down the series the same one that you then recognized no different. Okay, yeah. And I never did see her again.

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Megan Mary: Okay, so

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Megan Mary: what I find very significant about that is that the basement, of course is. It's everything that is underneath. It's the deep, dark depths of ourselves, and it's the things that we we keep in the dark that we store way that we don't want necessarily other people to know. And I think the fact that you saw a woman that looked familiar

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Megan Mary: to you. It's essentially part of you because you're thinking I know her. Who is that? I'm gonna go find out who that is, and I'm gonna go find out what's going on down there, and

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Megan Mary: I do think that the the cats and the dogs at the beginning are significant, particularly because of the story that you told about the the kitten that you found, Prior, and the feelings that you hold about that I think that's very important. but also that

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Megan Mary: the the the full grown cats

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Megan Mary: I feel like can can be representative of something, too. But I don't want to say I don't want to say too much at the beginning. And also what I really want to do is honor your association with things. So that's what this is about is to draw out what it is that you associate with those things so that I'm not putting my own association. Yeah. So just the the way I associate is that

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Lorree Appleby: our dog he's 10 years old. He's.

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Lorree Appleby: you know. He just. He's kind of spoiled, and he doesn't like he's a threatened by other animals. So Just seeing other animals in my house and

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Lorree Appleby: thinking, Oh, my gosh! Like this isn't good.

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Lorree Appleby: but him not reacting. And then being another, and and cats would be one thing like he would probably want to attack them. But a dog he would really lose it so. But that dog! Was he

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Megan Mary: right? You say that it was? it's it's, it's, it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's, it's, it's, it's, it's, it's, it's it's it's a

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Megan Mary: which is very much a unassuming. I'm not. I'm not here to make a problem. Thing. And your first reaction was, this is going to be a problem.

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Lorree Appleby: Yeah. But it wasn't. Yes.

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Megan Mary: So I think that's also very significant. Hmm.

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Megan Mary: Now, when you start to it. Then you decide to go.

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Megan Mary: Go find that familiar woman in the basement.

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Megan Mary: but your husband stays with the animals. So this is you now going down into your depths to see that that familiar woman what? Who is she? I know something's going on. I want your curiosity. I want to go find want to go find this out, and you go alone.

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Megan Mary: which I think is important. He he stays with the animals in the animals.

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Megan Mary: you say. Later. I I knew he was safe.

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Lorree Appleby: I yeah. It never crossed my mind that was anything wrong, or he would have left, or anything. Yeah. And in normal circumstances he would be the person to investigate, not me, right? Right? Sure. And that makes perfect sense. So I think you're going down into the basement.

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Megan Mary: taking the initiative to go and going by yourself means that it really is your basement. It's your your thing to that. You're going to investigate. So you go down into the basement, but it's not your basement.

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Lorree Appleby: it's and you use the word abstract decorum.

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Megan Mary: Let's unpack the abstractness.

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Lorree Appleby: Lots of bright colors, like kind of

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Lorree Appleby: shapes, like, just very, you know, just hard lines.

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Lorree Appleby: And it's don't really remember. I just remember very

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bold and and bright colors. And

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Lorree Appleby: and yeah, that's all I really remember about that part. Was it a

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Megan Mary: joyful, exciting place It was kind of felt kind of weird to me like it was

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Lorree Appleby: like reds and oranges, and right like I remember reds and oranges, and I just remember I don't remember exactly, but I just remember things look very

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Lorree Appleby: like that, you know, that abstract kind of

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Lorree Appleby: art.

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Lorree Appleby: Yeah, it was just

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Lorree Appleby: right, and not right in a good way. It felt strange. It felt odd, strange, definitely not cozy and warmer. yeah.

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Lorree Appleby: yeah. Now, there's all these people around. And they're gathering for yeah, like, yeah, like, just different people coming and going. And I kind of felt like there was an event going on like there was, you know, when you go somewhere, and there's people coming and going. It felt like that.

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Lorree Appleby: Umhm, yeah. And then I think I remember seeing something where there was, you know, in the store they have things hanging on like a a little thing, you know, really thing, I don't remember what that was. I just remember it looked like there was things you could buy. But I don't recall noticing what it was.

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Megan Mary: Yeah. So then, you see this

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Megan Mary: that you know, yeah.

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Megan Mary: And that changes how you feel when you

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Lorree Appleby: yes.

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Lorree Appleby: I felt relieved because I know her, and I trust her. And so I'll say, Oh, okay, you're here, and I felt a little bit like, you know. My guard came down a little bit.

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Lorree Appleby: and I remember saying, Okay, well. I know you, and I trust you. And then she just kind of nodded and and then smile. Then I don't know. I can't remember if we hugged or not, probably

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Lorree Appleby: and then she is gone.

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Megan Mary: If you were going to describe this person that you know in real life with 3 adjectives. What would they be?

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Lorree Appleby:  she's authentic.

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Lorree Appleby: She's deep like she, you know, does that deeper to work like myself?

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Lorree Appleby: And she's

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Lorree Appleby: open to

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Lorree Appleby: new experiences. Let's say, yeah, adventurous. Maybe something like that. Yeah.

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And she's putting on clothes.

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Lorree Appleby: Yeah, what kind of closes you put in.

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Lorree Appleby: I, that's vague. Okay.

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Lorree Appleby: yeah, maybe

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Lorree Appleby: some kind of top or shawl, or I'm not sure. Yeah.

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Megan Mary: And she, it looked like she's leaving.

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Lorree Appleby: Yeah. yeah. yeah. And and that's kind of fuzzy. She then she was gone.

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Lorree Appleby: Now you say it felt very strange, and was looking for answers. You were looking for answers, or she was she left looking for it? No, I well, I was just trying to figure out what what's going on here. Yeah. And then, when I saw her, my! My kind of my guard dropped a little bit, for whatever reason. I remember saying, Okay, well, you're here, and I trust you. So I feel better.

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Lorree Appleby: And she just she didn't say anything. She just smiled and nodded, and it kind of agreed with me.

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Lorree Appleby: And then Sheila and then I guess she left. She was just gone, like. I don't remember anything after that.

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Megan Mary: and I feel that the aspects of that woman.

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Megan Mary: our. the parts of you. that you should embrace the the authenticness, the deepness, the open to new experiences, that your

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Megan Mary: you're afraid to go into your basement, essentially your metaphorical basement. But

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Megan Mary: you are comforting yourself with her the what she presents

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Megan Mary: which she represents, which is part of you. It's it's the trusting, trusting your authenticness, trusting your deepness.

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Megan Mary: feeling more comfortable with being open to new experiences, that she is reassuring you. You are reassuring you, and that she is there to to reassure you in the basement. At first your

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Megan Mary: you follow. You follow a woman who reminds you of your something, perhaps yourself down there, but then you find this woman, and she, if you feel relieved, and that relief

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Megan Mary: is an indication that it's okay to enter that darkness, that it's okay to

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Megan Mary: be authentic and deep and open to new experiences, that

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Megan Mary: you can do that. And and she's leaving because she's she's leaving the basement. She's going

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Megan Mary: on that new journey.

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Megan Mary: and you do, too, very shortly. With some urgency which is a good sign.

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Megan Mary: So so next.

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Megan Mary: after she leaves

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Megan Mary: suddenly, someone comes in and tells you that you have to leave now for your own safety.

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Megan Mary: Do you remember? First there was a like a

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Lorree Appleby: I don't, and this is where it kind of got vague is that

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Lorree Appleby: near the back of the basement or back of the rooms. Further in there was something going on, and it felt like some kind of ritual.

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Lorree Appleby: not a good one. But I don't remember what happened. I don't remember the people.

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Lorree Appleby: I. The the only thing I remember is then it was I was there. And then, all of a sudden. It was like you were to. I was told that you need to leave now every we are all told, whoever the other people works. I don't remember that part. We were all told. You need to leave now.

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Lorree Appleby: for your own safety, and if you stay it, it could be a danger. I forget. However, I put that with you.

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Lorree Appleby: Yeah. You would be in danger to be in danger if you stayed, and it was just like, Get out like, you guys, you gotta go now.

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Megan Mary: But they were saying.

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Lorree Appleby:  Well, everyone, whoever was there. But I I don't know who they were, and I just don't. Yeah, that part. It wasn't told of who was

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Lorree Appleby: said, that or anything. I just know that was me and other people who were all there, too. all told that we need to go.

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Megan Mary: So how did it feel to be in that? In that? In that place, when you found the other people doing what you described as a ritual.

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Lorree Appleby: That's where it got really fuzzy. Yeah, it just didn't feel

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Lorree Appleby: I think I kind of felt like I was going along with it

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Lorree Appleby: at first, just to find out what was happening, and then it got blurry, and I don't remember. And then it was all of a sudden, you need to go. Yeah. So that's the part that really isn't clear and never was beginning.

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Megan Mary: Okay, so next you start to leave. But you walk by another room, where you see 2 older men, and they're lying down, and one says, I am not doing very well, and the other nods.

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Lorree Appleby: and then you felt even more urgency to keep going. So you did. Yeah. The the man on the right said, I'm not doing well. And then the other guy. He was more sitting up, but still down on the ground. And he was like.

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Lorree Appleby: just nodded. And and I was like, Okay, I gotta go.

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Lorree Appleby: I don't know how to help them or what's going on here. And

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Lorree Appleby: so then I just left

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Megan Mary:  and you all go outside

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Lorree Appleby: you and some other people. Yeah, whoever? Yeah.

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Megan Mary: not the 2 men, though they stayed there, they stayed. Yeah, yeah, they stayed.

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Megan Mary: And I feel that the the 2 men stayed down there. because, as you alluded to that, possibly they are part of the ritual. But I I feel just in general that they are overtaken by the

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Megan Mary: the, the, the basement. Yeah, it felt like they they wouldn't. They didn't have enough energy to leave, like, yes, yeah. So I was just like, I can't save you. I got to go. Kind of thing right? They're not doing. Well. Yeah, yeah. Okay. Well, I gotta go, you know, with with what's in the basement. And and you're feeling very urgent, like I need to get out of here for my own good. Yeah. And I'm not going to stay and end up like them

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Lorree Appleby: and rescue anybody.

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Lorree Appleby: Now, outside there was a a big vehicle where all the people were going.

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Lorree Appleby: Yeah. And it wasn't like all a ton of people. It was like maybe

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Lorree Appleby: less than

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Lorree Appleby: 10 or something. It wasn't tens of people or anything.

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Megan Mary: So if I didn't know. what would you say? A vehicle like that

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Megan Mary: is for

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Lorree Appleby: Well, I mean, I took it as some kind of like party bus, or for level or something, you know, being. yeah, that's how I what? I thought it was, okay. Yeah.

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Megan Mary: So then, you see a one that you remembered from your past that you didn't know that well. But you suddenly, you suddenly do know her.

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Lorree Appleby: Yeah.

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Megan Mary: so talk about her a little bit. What are the 3 adjectives you would use to describe her.

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Lorree Appleby: She was fair skinned

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Lorree Appleby: She was very

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Lorree Appleby: like thin. but she was very beautiful, beautiful, and her hair was like brown, but it was just like really like kind of went up like this and back.

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Lorree Appleby: and she just had a really nice nice bone structure

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Lorree Appleby: like personality.

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Lorree Appleby:  Mr. Mysterious, maybe.  that something didn't feel good about her like she was

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Lorree Appleby: not

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Lorree Appleby: She was just caught up in doing something she that wasn't good for her, but she was doing it. I don't know how to explain that kind of just going along with

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Lorree Appleby: whatever. But she was somehow I don't know part of it. So that's the big part

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Lorree Appleby:  okay.

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Lorree Appleby: yeah. And she was kind of surprised.

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Lorree Appleby: Oh, I didn't know you do these things, and I like what things. And I couldn't, because I wasn't sure if that was a bad ritual or a good cause it was I didn't remember. And that's why I said drugs like cocaine like what? Because I felt like it was someone I knew from a long, long like from like maybe teenagers.

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Lorree Appleby: that stuff I dabbled. But yeah.

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Megan Mary: and at that time, when you did that when you were a teenager. Did you feel like you were

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Megan Mary: caught up doing something not good for you and going along? I didn't want to. Yeah, yeah, I was doing it. But I wasn't really feeling good about it. And it didn't last long a couple of months. And I was like, I'm done

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Megan Mary: so that's exactly what she's representing and why you responded that way to her, because that's a situation in your life where you were going along with something that you didn't feel was really something you wanted to do. And

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Megan Mary: and the ritual also represents going along with something that you're not sure if it's good, or if it's bad, but you're there, and you're being a a passive part of it, and you're not.

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Lorree Appleby: You have your your reservations, your doubts.

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Megan Mary: So she goes into the vehicle waiting for her.

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Lorree Appleby: Yeah.

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Megan Mary: And you feel again second time urgency to go back home and check on your husband. Now you say

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Megan Mary: you expected that all along he was safe. So you really weren't as much worried about his safety.

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Lorree Appleby: You just wanted to tell him what you discovered.

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Lorree Appleby: Well, that. And I felt like I just wanted to be back in safety, because this all felt really creepy and weird. And I just wanted to get home and get to him, too. Yeah. And to tell him, yeah, what was going on.

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Lorree Appleby: Yeah.

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Megan Mary: And so as you're heading to your front door, some people drive up and start to go into the basement, but

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Megan Mary: a different way.

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Lorree Appleby: Well, they were kinda looking for the entrance, and it was like my

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Lorree Appleby: instinct was that they? They were told that this was a like I don't know. After hours, club, or something like that, like it looked like they were already inebriated, and they were just going to the next spot, you know.

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Lorree Appleby: and and I think it was the entrance, the exit that I left.

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Lorree Appleby: And and so that was like really close to my front end, which isn't normally how my house is at all. Because but but yeah, it was. The exit was very close. So I, just because I didn't want to deal with them, just wanted to get home. I just said, Yeah, it's over there.

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Megan Mary: And I, it's important that it's not like your existing house, because anytime something is

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Megan Mary: different in your you take your current configuration, and then you notice, oh, it's but it's not like that. My basement was huge, and my door is not like that, or there was this other door. That is all very significant, and I really like that.

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Megan Mary: They are drunk and just are hoping, basically, and that you send them where you came out. Yeah.

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Lorree Appleby: And in a way, I felt a little bad about that, because I knew that that wasn't a good place to be

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Megan Mary: right, but they were drunk and or inebriated, and and you didn't want them following you.

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Megan Mary: Their followers essentially

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Megan Mary: much like maybe the people at the ritual, much like maybe, what Cheryl represented.

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Megan Mary: alluding what to a time in your life when you may have

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Megan Mary: held that role. And these people are all just following, looking for the next thing and not paying attention. And you don't want them to go where you're going because you've left that behind you. So you just say, you know

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Megan Mary: that way?

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Lorree Appleby: Yeah, so that they

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Megan Mary: are behind you as well and not following you so that you can leave those followers behind.

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Lorree Appleby: So next, you finally make it to your front door

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Megan Mary: and your husband's there. but he's in a really bad state.

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Megan Mary:  and he doesn't say anything about what happened to him. And it doesn't sound like, you ask him, either.

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Megan Mary: explain that

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Megan Mary: that's seen a little bit more how it felt to be there at your front door.

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Lorree Appleby: Well, I walked in. and I was inside with him, and I just looked at him, and I think I told you in the thing he had had so to shoulder surgery last year. Yeah.

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Lorree Appleby:  so

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Lorree Appleby: I actually tomorrow is like the day he had sold shoulder surgery a year ago, anyhow. yeah, so it he. I just looked at him, and he like I said he didn't look good. He? He looked bloody and no shirt, and

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Lorree Appleby: and there his. He didn't. He didn't say anything about him. It was just very quickly. I looked at him, and then he said, Look what they did to Aries.

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Lorree Appleby: That was it like? And I looked, and I screen, no.

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Lorree Appleby: So yeah, I didn't really have a chance it was like look walked in, looked at him, and then he said, that that's like the first things that came out of his mouth.

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Lorree Appleby: And your dog.

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Megan Mary: I find it interesting that you said first that you turned around.

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Lorree Appleby: Yeah. So he's like, when you walk in my front door.

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Lorree Appleby: it's a small landing. And then there's this ledge right aside, and that's where he was, and my husband was on this side, just pumping this up on this ledge.

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Megan Mary: and the ledge is significant also, because what is the ledge

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Megan Mary: like?

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Lorree Appleby: Yeah.

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Megan Mary: yes. And so his.

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Megan Mary: The dog's head was

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Megan Mary: okay, and he it was alive. And he had the toy in his mouth, as he usually have a joy in his mouth. Okay.

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Lorree Appleby: very often. The rest of him was not okay.

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Lorree Appleby: Well, yeah, it was yeah like his

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Lorree Appleby: just. I don't know exactly that the rest of him was in in pieces right?

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Megan Mary: And so you felt that your husband had had brought him there, but couldn't put him back together.

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Lorree Appleby: Yeah, like he tried to rescue him or

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Lorree Appleby: or something.

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Megan Mary: So what I draw from that is.

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Megan Mary: But something has been fragmented.

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Lorree Appleby: something that you love.

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Megan Mary: that you don't want

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Megan Mary: to fall apart. And it

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Megan Mary: it may or may not be your relationship. It could simply be a relationship with yourself

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Megan Mary: that you see it. It is

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Megan Mary: partly still alive, but also partly struggling to live, and

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Megan Mary: I don't know that it's necessarily other people that are

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Megan Mary: that are causing that harm necessarily because you, you do speculate that maybe it was the people in the basement.

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Lorree Appleby:  but I think that what they did. Yeah, yeah. And I think if we if we look at the basement as a part of you and as a part of the depths of you. Then everyone that is in the basement is an aspect of you, and

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Megan Mary: that you

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Megan Mary: maybe concerned that that you're causing harm, or you may be concerned that your that things are

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Megan Mary: falling apart and that you're not.

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Megan Mary: You're looking for that security

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Megan Mary: because you want to get back home. And there's all that urgency to get back home so that you feel safe. And so the everything else is whole and overall.

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Megan Mary: You had mentioned that you had traveled recently to an event. and I think that

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Megan Mary: they your you may have some feelings deep down about

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Megan Mary: what that event was like

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Megan Mary: for you, and you may be feeling a little bit like you were following along.

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Megan Mary: and that it you're not sure if it was good or bad, but that you wanted to go check it out.

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Megan Mary: but that

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Megan Mary: it's you're not sure if your being like your old self.

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Lorree Appleby: the Cheryl.

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Megan Mary: that where you're doing something

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Megan Mary: not good for you

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Lorree Appleby: and just following along.

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Megan Mary: And you're concerned that you you have a a deep concern that perhaps if you

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Megan Mary: stay too long in your basement

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Megan Mary: that that won't be good for you, and you realize that you need to you. You want. Your instinct is to leave that to be safe.

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Lorree Appleby: But

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Megan Mary: as with everyone, there are things in their basement that they could do to get rid of.

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Megan Mary: and so the fact that it's much larger than usual, and that it has all these couches and chairs, and all these people, and all these rooms, and all this abstract things that are very bright.

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Megan Mary: I think.

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Megan Mary: as well as the presence of the other woman down there. I think that it's telling you it's okay to go into that basement that you don't have to. You don't have to be afraid.

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Megan Mary: and that there are things for you there

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Megan Mary: that are just for you, and you don't need to follow the crowd that is going to get in the party bus. and that is looking for the next club. And that is

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Megan Mary: following along with the event, that you might not really resonate with

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Lorree Appleby:  so

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Megan Mary: on that note

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Megan Mary: let's draw a card and see what we get.

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Megan Mary: I'm just gonna kind of hold it up, and you can kind of

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Megan Mary: you can tell me

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Megan Mary: which one you? just a little bit. Yeah, that one.

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Megan Mary: Okay. So

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Lorree Appleby: oops can't really. Okay. Begin now.

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Lorree Appleby: Can't really see it.

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Lorree Appleby: Now you're gone away to there we go.

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Lorree Appleby: I'm not sure. Why, yeah, there again, now.

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Megan Mary: And there is a

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Megan Mary: there is a. It is your first step. Okay? I see it. Yeah, I see it. Now perfectly.

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Lorree Appleby: Yeah.

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Megan Mary: And just look at the imagery and see what it a big, long time.

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Lorree Appleby: There's someone weaving. There's a couple of other people. There's trees off in the distance in a pasture. I'm waving to that person

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Lorree Appleby: if that's, me, I guess

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Megan Mary:  since then, rising or setting I'm not sure.

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Lorree Appleby: Yeah. Hmm, so I would say that this

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Megan Mary: is your chance to. Now

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Megan Mary: embark on on your own path.

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Lorree Appleby: stop feeling, like.

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Megan Mary: you need to

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Megan Mary: follow what other people are doing.

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Lorree Appleby:  begin down your own path. Take your first step

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Lorree Appleby: down your own path.

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Megan Mary: And you'll find that in doing so you will be more authentic and more deep. and be open to that new experience where you're not

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Megan Mary: feeling inauthentic

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Megan Mary: and feeling not deep

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Megan Mary: because you're following something that's not

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Megan Mary: resonating. Let me know.

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Lorree Appleby: Yeah.

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Lorree Appleby: So everything you said resonate other than the part. so this might shine some light on things

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Lorree Appleby: the trip that I did go on it was actually was very, very aligned. and it it's it's actually putting me into going on a a journey, a path. And I keep getting this message of like, I'm about to start an apprenticeship. And and so when I come back home

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Lorree Appleby: it feels like I've changed, but things are still not the top kind of the same. But you know, when you're in a relationship that that you know, he's kind of doing his own thing, and and he's he supports me, respects me, wants me to live, you know. Follow my follow what I'm called to do.

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Lorree Appleby: but he's having his own struggles with his personal stuff.

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Lorree Appleby: And so there's been And then also just coming back. And just I, I feel like I'm I'm different. And bye.

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Lorree Appleby: so I feel a little bit different, you know, just being around the same things, but but I am feeling confident and and good about it all. it's just like an adjustment. I think for myself, yeah.

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Lorree Appleby: And and I do wonder, you know, is he gonna be good, is he? Gonna you know, health wise and and that kind of thing. So that. And then same with my dog, because he's got a few things going on, too. So between the 2 of them

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Lorree Appleby: it's it kind of weighs on me sometimes, but I obviously don't want to entertain negative thoughts, but they come up.

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Megan Mary: Sure you want to feel secure enough about your base that you can go on this new journey, and that's what you need to take that first step.

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Megan Mary: And by meeting that woman in the basement that was so brought you such relief, and that you felt such trust with.

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Megan Mary: That is what you need to embrace. That's the the message that is in your depths is that there is this reassuring trusting

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familiar

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Megan Mary: smiling welcoming

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Megan Mary: presence. that's going to be going with you on your journey, yeah.

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Lorree Appleby: yeah.

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Lorree Appleby:  yeah, you interpret it way different than I interpret it

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Lorree Appleby: like your person better.

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Megan Mary: Well, thank you. Yeah, no. But obviously you're the professional, and those old men are where they just like. I can't save people kind of thing. No, I don't think it's I don't think it's other people that you're not saving. I think it's versions of you that we, when you are trapped in your darkness, and you're not feeling well and you're letting it overwhelm you, and you're not. You're getting stuck there. And you're not

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Lorree Appleby: going out of there

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Megan Mary: on here on your path.

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Lorree Appleby: right? Right? Not being able to like, get up and leave and walk out, yeah, okay, yeah, it's yeah. There.

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Megan Mary: their week, because of

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Megan Mary: they're overwhelmed

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Megan Mary: by the basement.

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Lorree Appleby: Yeah. okay, that makes sense.

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Lorree Appleby: Yeah.

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Megan Mary: All right. Well, thank you so much for sharing your dream, and I hope you enjoyed my interpretation, and I hope to begin now and and take take your next step.

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Lorree Appleby: Oh, yeah, I absolutely am. And it's just. It's amazing how like I'm just getting more and more confirmations.

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Lorree Appleby: that I'm starting something new and that kind of thing. So another good conversation. It definitely doesn't feel like a nightmare anymore.

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Megan Mary: That's transformation. That's good. So is that what nightmares are all about is that because they all of our dreams are

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Megan Mary: when we dream our logical by and turn off, our emotional minds turn on. And so all of our emotions are very strong

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Megan Mary: when we're dreaming. And of course, nightmares are have the strongest

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Megan Mary: impact. And that's because the message is meant to get through when we have recurring dreams. It's because we're not addressing. What's

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Megan Mary: that scenario, that situation, that that story. And when we have nightmares they they're powerful and and upsetting because they want us to hear the message.

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Lorree Appleby: Right? Okay, that makes sense. And by

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Megan Mary: understanding that message and unearthing what it's saying, we it. We do dis dissolve it as a nightmare. We do learn that

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Megan Mary: from the depths we come into the light. And that's why we I call it the eclipse, because we're essentially walking into that darkness. But then here comes that little sliver of light, and it's coming more and more and the more that we see what it's saying and what it means for us, and that there is hope that there is a message. Then the more the light starts to come to us, and the more we allow the lightning.

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Lorree Appleby: Right? Okay? Yeah. Cause I definitely interpreted everything at the end of was not good.

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Lorree Appleby: You know, when I screen no. And

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Lorree Appleby: all of that. So

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Lorree Appleby: yeah. it's good to have a good spin on it.

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Megan Mary: Good and

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Lorree Appleby: yes, you're welcome very much.

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Megan Mary: and thank you for sharing your dream so that yeah, we could all benefit from it. Really

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Lorree Appleby: my pleasure. Thank you.