Realer Than Most Podcast

A PRODUCER STORY PT. 2 FT BRIZZY ON DA BEAT | RTM PODCAST | EP. 03

May 08, 2024 @Reallathanmos, @whyteboi_D2E , @ow.kash Season 1 Episode 3
A PRODUCER STORY PT. 2 FT BRIZZY ON DA BEAT | RTM PODCAST | EP. 03
Realer Than Most Podcast
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Realer Than Most Podcast
A PRODUCER STORY PT. 2 FT BRIZZY ON DA BEAT | RTM PODCAST | EP. 03
May 08, 2024 Season 1 Episode 3
@Reallathanmos, @whyteboi_D2E , @ow.kash

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Embark with us on a rhythmic odyssey as Philly-born, Atlanta-forged producer Fast Track takes the mic to share an unfiltered narrative of his ascent in the music world. From the raw energy of creating "MJ Vibes" with Quilly to the high stakes game of sample clearances, his story echoes the heartbeat of every aspiring artist. Fast Track, a maestro of the beat, not only reveals the intricate dance of networking and label intricacies but also offers an exclusive window into his craft and the cultural vibes from Philly to Atlanta that fuel his fire.

Picture this: a studio, pulsating with creative genius, where Fast Tracks and titans like 2 Chainz and Sada Baby spin tracks into gold. This episode peels back the layers of these electrifying sessions, unveiling the pivotal connections and team dynamics that turn potential into hits. As the industry's undercurrents weave through our conversation, you'll appreciate the contrast of LA's glitz against Philly's grounded grit and witness the indie spirit that keeps the music scene surging forward.

As our sonic expedition nears its finale, Brizzyondabeat leaves us with not just beats but wisdom for those chasing their own music dreams. He teases the future of 17 Music Group and the raw talent they're nurturing, reminding us that this is more than just a career—it's a calling. So tune in, take notes, and get ready to be moved by the power of persistence and the symphony of success stories that resonate with every dreamer out there.

Support the Show.

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Show Notes Transcript Chapter Markers

Send us a Text Message.

Embark with us on a rhythmic odyssey as Philly-born, Atlanta-forged producer Fast Track takes the mic to share an unfiltered narrative of his ascent in the music world. From the raw energy of creating "MJ Vibes" with Quilly to the high stakes game of sample clearances, his story echoes the heartbeat of every aspiring artist. Fast Track, a maestro of the beat, not only reveals the intricate dance of networking and label intricacies but also offers an exclusive window into his craft and the cultural vibes from Philly to Atlanta that fuel his fire.

Picture this: a studio, pulsating with creative genius, where Fast Tracks and titans like 2 Chainz and Sada Baby spin tracks into gold. This episode peels back the layers of these electrifying sessions, unveiling the pivotal connections and team dynamics that turn potential into hits. As the industry's undercurrents weave through our conversation, you'll appreciate the contrast of LA's glitz against Philly's grounded grit and witness the indie spirit that keeps the music scene surging forward.

As our sonic expedition nears its finale, Brizzyondabeat leaves us with not just beats but wisdom for those chasing their own music dreams. He teases the future of 17 Music Group and the raw talent they're nurturing, reminding us that this is more than just a career—it's a calling. So tune in, take notes, and get ready to be moved by the power of persistence and the symphony of success stories that resonate with every dreamer out there.

Support the Show.

white boi:

realer than most Podcast. So basically Just to speed up and give people a catch up on where we was at. Alright, so basically he he was Back and forth from Atlanta To Philly Getting placements. He had just got placements with Black Poppy, rico Havoc and a few other people In Philadelphia. Then he started moving around, shaking and moving back and forth with Black Poppy, rico Havoc and a few other people in Philadelphia. Then he started moving around, shaking and moving back and forth back and forth from Philly to Atlanta, philly to Atlanta.

white boi:

He started getting placements with bigger artists. Now we are at the point where he is back and forth to Atlanta and he's getting tired of going back and forth to Atlanta and we're getting almost to the point to the um no Bars record. But it's like right before that. It's like the, the, the meeting up with Cannon and and uh and Generation Now, and you know, uh, getting acquainted with a few uh artists in Atlanta. Let's give us that, yeah man.

Brizzy on Da Beat:

Um, you know, again shout out to y'all. When I started going to Atlanta so often, it just got like you know. I kind of got tired. I kind of got not tired, you know, just burned out. Like you know, I'm looking for more results. I'm in that stage where I'm like I understand the patience, but I'm trying to rush. I need to see more. So I'm just like man, I'm like I understand the patience but I'm trying to rush. Rob Markman.

Brizzy on Da Beat:

I need to see more Rob Markman. So I'm just like man, I'm just kind of like, hmm, All right, let's go to Atlanta again. I got a baby on me. No, no, that was at the time. It was at the time.

white boi:

Yeah, yeah, yeah yeah.

Brizzy on Da Beat:

So I started feeling that way in 2019 a little bit, but I had Quilly, me and Quilly had this one record called MJ Vibes and hey, man, we had another record, bro, I think it's called.

Brizzy on Da Beat:

It was on his I think it was Hanes and Monty. Yeah, yeah, yeah, mj Vibes is our classic. I can't drop another record with Quilly on unless it topped that. That was one of our biggest joins. But anywho, I'm just like you know, the pandemic happened in 2020. I'm still sending beats out every single day to you know, to to dallas and atlantic and everything. I'm also in with atlantic in terms of some of the people that work there. Right, you feel me because when I got my first placement, I also hooked up with some of the uh. I connected with some of the uh, the a and r administrators so, like they work in the back office, they do all the technical stuff and shit like that. So I'm locking in with them and stuff like that.

Brizzy on Da Beat:

They giving me inside stuff. I didn't even say this, I had to remember. I told y'all sample the game, damn bro y'all gotta dig.

Realla:

I sampled a game. Damn bro, Y'all got to dig, I sampled a game.

Brizzy on Da Beat:

I sampled a game and then the A&R administrator hit me back like, hey, Brizzy, you got to do this whole beat over. You can't get this sample cleared. Do not ever sample games. They say to not sample games. I guess it's like really hard to clear what was your biggest? My first record.

white boi:

That was the first placement, the one with Rico Havoc In Greece In.

Realla:

Greece.

Brizzy on Da Beat:

I mean, that was my first major placement. All right, you feel me All right Off a major label, yeah, but I ended up remaking the beat. I collaborated with my boys, rick and Thaddeus. They are some of the greatest producers ever Rick and Thaddeus, man, shout out to them. They helped me cook that beat up and you know, the record could have. You know what I mean. That was that, but I started connecting with all of them people in 2019. I just kept the relationship.

Brizzy on Da Beat:

So 2020 happens now you know we all shut down, we in the crib. You know you going outside at your own risk, the way the media was promoting the way life was going to be.

Realla:

Yeah.

Brizzy on Da Beat:

You feel me. So I'm just like, damn, I'm in the crib. It's literally me and my girl, we at the crib and I'm just producing, making beats. I ain't worried about nothing else, just making beats. Making beats every day and sending them out. But I also, myself, in 2020, I am going to just I'm going to flood this man with beats, like you gotta feel me. So, 2020, I ended up going Right back to Atlanta. I said, fuck this shit.

Brizzy on Da Beat:

As soon as they let the airplanes open again and people can start Taking trips and flying. I'm out. I booked my flight, went straight down to the A.

white boi:

Cause it was open. You got to remember like during the pandemic, that was the one state or city, whatever, that was acting like it wasn't a pandemic. Atlanta was cracking, atlanta was cracking on the pandemic.

Brizzy on Da Beat:

Bro in Atlanta. They spent money and every time I went to Atlanta more people were buying beats in Philly. Right Because they see me moving around. You can't just stick in one place when people see you growing and moving and they're inspired or they appreciate what you're doing. They will support you.

white boi:

Facts, you feel me Shout out to everybody that support me, man Facts.

Brizzy on Da Beat:

Facts. So I came back to Atlanta during the pandemic. Still nothing was majorly happening. I'm just working with all these fire-ass Atlanta artists trying to get something to go off. Just figuring it out, bro, not knowing anything, just figuring it out, literally, hoping on a dream. For real, you feel me, but my manager at the time he was just keeping me inspired as a hustler like grind and we was making money. We ended up getting like a $5,000 check from an up-and-coming artist. They spent money. Atlanta was not scared to spend that tab.

Kash:

Yeah.

Brizzy on Da Beat:

But 2020 is when I really got tired of going back and forth to Atlanta. I just was like what else? All we do is go to the studio. We don't do nothing else.

Kash:

Yeah.

Brizzy on Da Beat:

Like you feel me, not like I was locked up in a crib or nothing like that, but we got to you feel me. I just got burnt out like kind of tired.

Brizzy on Da Beat:

Right, so I ended up texting Dallas. I said hey, bro, I'm in Atlanta. Y'all got anything in the city that I could do anything at all? This is just a text. I said, fuck, I'm texting, bro. He's like you need to be in LA. So I'm just like shit. When can I come up? He responded he's like shit what. You need a flight and a hotel. I'm like yes.

white boi:

See, that's important. I don't want people to miss that real quick. You was proactive at a time where you felt like man ain't really nothing popping, but I still want to get something popping. And it might not be right here, but whatever, I'm gonna text a resource of mine that I have just to say you know what you got going on. That's being proactive. And that's what gets you to yeah, instead of waiting around or waiting for the next placement or waiting no, that's being proactive and that got you to LA.

Brizzy on Da Beat:

No bull stuff, man no bull crap.

Brizzy on Da Beat:

I was like man hey, yes, I need a flight in a hotel. He's like all right, let me see what artist budget I can put you on and bring you out here. When he said that to me, I was just like, nah, you ain't gotta do all that, I'm gonna book my flight and I'm gonna let you know. I'm gonna look for some good flights and some good dates and you let me know when I can come out if that works for you. I think he was having a baby at the time too. I think he was having a baby at the time too. Like around that time he was about to have his kid.

Brizzy on Da Beat:

But, I just felt like, bro, I'm going to book my own, so I'm not waiting on him. Yeah, I'm not going to wait. You feel me. So I booked my flight and then I ended up flying out there. I ended up just flying out there.

Realla:

He sat everything off me. How come I be out there today? Huh, you was on some.

Brizzy on Da Beat:

I'll be out there today, bro took me some time bro. I was trying to figure out how to make money. Nobody was really buying beats bro. I was doing uber eats, I was doing all kind of stuff to make money, bro, that's important joe black man.

white boi:

He helped me do all kind of uber hacks and stuff like that. You feel me like you feel just to, just to.

Brizzy on Da Beat:

You know, make some money to get around bro. He helped me do all kinds of Uber hacks and stuff like that. You feel me Like you. Feel me Just to. You know, make some money to get around bro.

Kash:

Yeah.

Brizzy on Da Beat:

Because I wasn't really choosing to be in the streets, I wanted to just stream Right right, right right.

Realla:

There's all these ways to get money. That's why I commend you.

Brizzy on Da Beat:

I respect that yeah.

Brizzy on Da Beat:

I was doing whatever I had to do. So I got flew out there, stayed out there for like a week and some change. He set up everything for me. I had to figure it out but he was like just contact this person, you good, and then you in there and I flew out to LA, me and Mikey, my manager. He flew out with me and now I'm in the studio. I'm in the studio where I watch these niggas break artists. I'm in that same room. Roddy Ricch was in there, like everybody. I'm like In that energy, you feel me. I'm in that room. I'm nervous, making beats, but I'm like confident At the same time. I'm just in there cooking. I don't know what I'm cooking, I'm just making all kind of stuff.

Kash:

Right.

Brizzy on Da Beat:

So I'm in there from that whole About seven days, and then I ended up Getting a chance to meet him, and then we just locked in yeah we just locked in. We just locked in and I just never stopped going to la right, yeah it's like you gotta find where the market at yeah, find where it's hot.

white boi:

It's like. It's like going fishing yeah, you feel me like yeah you.

Brizzy on Da Beat:

You be in the in the middle of the water just waiting on fish, and then you be there for like six, seven hours. Nothing happens you're still gonna stay there, you're gonna try to go somewhere else I put the good bait on that motherfucker.

white boi:

You feel me? I mean, I didn't throw him back out.

Brizzy on Da Beat:

You feel me. And one thing I was told that I'll never forget is every time that I left I was out of sight, out of mind. She know who she is. You feel me Like out of sight, out of mind. I, you feel me like out of sight, out of mind. I found out all kind of ways to just try to stay, stay there. Then Dallas ended up putting me in a room with 2 Chainz 2 Chainz. I knew it was serious. When 2 Chainz hopped on my beat. He did a whole verse a hook bro he.

Brizzy on Da Beat:

I don't think he ever finished the song. I don't know.

Realla:

I was about to say you had a 2 Chainz birthday, Dallas called me.

Brizzy on Da Beat:

I'm in my hotel room, bro. Ah man, the hotel stories bro. He calls me while I'm in my hotel room. He's like hey, bro, when you leave, I said I leave tomorrow. He's like all right, look, I got you in the studio with chains. I'm like chains. He's like, yeah, 2 Chainz. I'm like up Rob Markman Jr. Dang Rob Markman Jr. He hopped on my beat so I guess I ain't embarrassing Rob Markman Jr.

white boi:

No, hell, no. He hopped on that motherfucker.

Brizzy on Da Beat:

Rob Markman Jr. But the first shout out to the first artist, that he put me in the studio with Dallas, put me in the studio with Sada Baby. Sada Baby is somebody that at the time of 2021, now, mind you, 2020, grind to 2021, locked in, just coming back and forth. He put me in the studio with Sada Baby. I only heard one song which I didn't really understand. It was the song that he got going.

Kash:

Whole Lotta Choppers.

Brizzy on Da Beat:

Yep, Whole Lotta Choppers Ended up being one of his strongest records.

white boi:

Shout out to Sada.

Realla:

Baby. Yeah, man, that's my brother.

white boi:

Shout out to Cash for knowing that that's my dude.

Brizzy on Da Beat:

Shout out to cash for knowing that. Oh, yeah, yeah, yeah, no cash. We know, um, but uh, you know, I was in the studio with him. He had me and uh, megan the steins producer, and um, my boy man, that's my boy dog, but me and me in the studio, and, and once he gave me Meg producer, meg Juju, on a beat. Juju, my nigga Juju man, that nigga hard.

Realla:

Juju on a beat there's a lot of producers.

Brizzy on Da Beat:

Man, I'm cool with a lot. I just got off the phone with a producer, but bro, cool man, but he ended up playing beats first. I'm just in there just like damn I going to play.

Kash:

Yeah.

Brizzy on Da Beat:

But you know, I was prepared. Juju had like decided to like. He's the fastest working artist, bro.

Kash:

Mm-hmm.

Brizzy on Da Beat:

He's the fastest working artist. Nobody that I ever been in the studio with can compete with his like level of, like amount of songs he can create.

Kash:

That shit crazy because I be telling people all the time. He slept on like a motherfucker.

Brizzy on Da Beat:

Man whenever he ready to turn up or, I think, if he would have stayed with Asylum Records.

Kash:

He would have been.

Brizzy on Da Beat:

They went through a lot of transitions, man.

Realla:

He would have been gone. Yeah, because a lot of choppers and all.

Kash:

But, they, they dropped him because he was on.

white boi:

He did some homophobic type of Asylum of Child record label though. Yeah, yeah, I mean, he had a good team man, but you know, at the same time.

Brizzy on Da Beat:

you know people go through life, you feel me, and how they deal with stuff is just how they do it.

Realla:

You know what I'm saying? It's a what record label?

white boi:

You know how like it's not a main record label. So it's still apparent they under one of them big ones.

Kash:

They had a good team at the time, though, yeah yeah, who was the team?

Brizzy on Da Beat:

You know all that Like.

Kash:

Wano and all Wano was like the president and all that at that time.

Brizzy on Da Beat:

They were at QC now, but QC was just purchased.

white boi:

Now we here at all. Right. So 2 Chainz you in the studio with 2 Chainz. You found me, me, dallas. That's crazy. He got you in the studio with 2 Chainz, sada Baby. Okay, that's leading up to 2022.

Brizzy on Da Beat:

Well, 2021, because I stayed consistent, going through every single thing. La was a double-edged sword type of experience, bro. It was weird, it was fire, but you know, it made me appreciate Philly.

white boi:

LA ain't the place for real niggas, bro, not like us.

Brizzy on Da Beat:

There's some real niggas out there, though, but they ain't like us. Yeah, it's definitely different. You feel me that shit different, it's definitely different. But you know, I just had to come. La lifestyle different. I had to come, but every time I'm-.

Realla:

Brizzy said, there's some real niggas out there?

white boi:

No, it is. I thought all them gang niggas be real Shit.

Brizzy on Da Beat:

I know you feel me, there's some niggas out there, all right.

white boi:

It's coming from where we come from, Just consistently bro Like you just adjusting to new times, you gotta watch the colors you wear.

Realla:

It's beautiful. I got stories and all that. You hear me, yeah, bro.

Brizzy on Da Beat:

It was a vibe though, bro. Like bro, it was a vibe.

white boi:

So what was your next like placement after that Like or during that time? Well, well, after like, meeting Dallas and getting with 2 Chainz and Sada Baby.

Brizzy on Da Beat:

Sada Baby and I got like 45 songs. I just gave him all the beats. I just gave him all the beats bro. He was working like that? Yeah, man.

white boi:

You know, he a crazy independent artist, he really go up on some other shit Facts.

Brizzy on Da Beat:

He gave me a record. You feel me? He approved a record. He was solid bro.

Kash:

Right.

Brizzy on Da Beat:

He done verses for me. He's a solid dude. I gave him all the beats Right. You feel me.

Realla:

I had thought y'all did a mixtape together when I seen that cover of y'all two.

Brizzy on Da Beat:

Aw man, I wish it was a mixtape man.

white boi:

Shit, y'all got enough records. I mean, you know it's all on him though Right Right, right, right right.

Realla:

Saddle baby, if you watching this man, y'all put together that tape, man, shit it's about.

white boi:

It's a 45 record shit.

Realla:

Yeah, man, we can put that tape together, man, you know what I mean.

Brizzy on Da Beat:

That's how much I trust my bro man. Right, you can drop anything, Right, but yeah. So it was like I just kept giving him all the beats but I still was keeping my that heat, that heat, and also I was still keeping my presence in the city okay, you know still trying to work with whoever I can work with and, um, I ended up, 2021 june.

Brizzy on Da Beat:

I ended up just like dallas gave me an offer. He was like yo, you know, I want you to really rock out with the team and it was something I couldn't. I couldn't really turn down for me like I felt like that was the opportunity I was waiting for, right. So it was like it was either now or never. So I had other options, but I just felt like this was what it was. I came all the way out here to this point. This is what God wanted me to do. So I ended up locking in with him. You feel me, and ever since then, he's been doing a lot, helping me with a lot of things, creating a lot of emotion.

white boi:

That's dope. I fuck with Dollaz bro. I know he came up under Shakir and that's somebody he had passed away. Rip to him. But that's just somebody in the game that I always paid attention to and admire and shit, and I know he came up under him as one of them fly A&R guys and shit I like how Dollaz move and this shit. So shout out to him.

Brizzy on Da Beat:

Yeah, he's definitely respected. So you know, I ended up signing, but nothing really happened besides this having money and traveling and just hustling. But you know, I'm still trying to figure it out. I still don't have like a solid, solid, like I got a team Forming, but who's gonna be my manager? Who's gonna help me, like, who's gonna help me Build my company?

Kash:

Yeah.

Brizzy on Da Beat:

Who's gonna help me Build Brizzy on the beat as a brand? I can't do all this by myself. You see, you can't do this podcast, but y'all need you know what I'm saying.

Realla:

Y'all need to spot.

Brizzy on Da Beat:

Y'all need all kinds of stuff. So it's like Achieve more Exactly, you feel me, I need a team, but teams take time to build, just like anything.

white boi:

Right, especially the right team.

Realla:

Speaking on building man. Y'all need more content like this and y'all want more content like this. Make sure y'all subscribe to the YouTube channel. Make sure y'all like, follow comment.

Kash:

All that man.

Realla:

Subscribe, share, hey, iHeartRadio Apple Music. We on all platforms. We on all platforms.

Brizzy on Da Beat:

man Just make sure y'all tune in to.

Realla:

Real or the Most Podcast Shout out to Real or the Most Got Brizzy on a beat in here hey man.

Kash:

So, and the whole us talking and us chopping it up, we done heard all the way from the Black Poppies to the Regal Havocs, to the Quillies and all that right.

white boi:

Let's get to one of my favorites.

Kash:

The one that's the most stamped. Like it's stamped you in the city. For real. Oh, real shit.

white boi:

That's just what it is.

Kash:

Go ahead, Steve it stamps you as like all right, you can't name Brits when you just talk about average niggas. No more, Thanks. The price it's not today's price tape, shit.

white boi:

It went up JT. No bars like and before we get it. I ain't gonna lie, I just love the energy of that record bro like the energy of that record, like watching people react to it, like watching wifey react to it. It's just different bro I love the record. That's bro. I love that shit, bro. Y'all hear me, I'll be walking around rapping the bars.

Realla:

Shout out.

white boi:

JT. That's hot, you made a. That was a banger and she did the right thing on that joint, bro Bro.

Kash:

So how did that come about? I want you to tell us how it was made and I want you to tell, and I want you to tell us the effect. Do you see the effect they have on the women out here? Because they got a real big effect on women. Even the men like it. But that song it's like it's like an anthem, john.

white boi:

in Philly they react different to that John. She just was at Huntington Park on Tuesday. That packed On a Tuesday.

Realla:

Shout out for Don.

white boi:

And the guys that you know what's crazy.

Kash:

And you know what's crazy Some people. Some people ain't even Gonna know. You Produced that until this Episode. Some people ain't even Gonna to know you produced that until this episode. Sure they're going to know. Now, some people ain't even going to know that, bro they're going to know now. Because some people just like hearing music in the club while they're getting tipsy.

Realla:

Everybody not like us.

white boi:

Shut up money down for some furry slides.

Kash:

Brizz on the beat, it don't go crazy.

white boi:

Check the credits. Copy Chanel nigga 30 times. You feel me, Brizz? Check time.

Realla:

Check them. Credits check the credits. That might be a t-shirt too.

white boi:

Check the credits that might be, you know, you know you putting that record together and I mean like how, how, how, how she get it so it's, and it's like it goes well With where we at.

Brizzy on Da Beat:

You feel me Energy. It goes well With right where we at, so I ended up signing. And then, a couple weeks later, my man, wayno, calls me Dang.

Kash:

That's my man. Fuck with Wayno.

Brizzy on Da Beat:

Wayno's one of the most Thoroughest OAs.

white boi:

I fuck with Wayno bro. So Wayno called you when he was at QC. But I fuck with Wayno.

Brizzy on Da Beat:

Yeah, I never met him yet. I knew when he was at QC. But I fuck with Wayno, yeah, just transitioned to QC, you know, and I was like he's like, hey, listen, we just got signed. We just signed some new artists and things like that, and you know, just come down. You know, come cook up and you know, make some beats, I'll see if I can make some plays. He was just giving me an opportunity to come down.

Brizzy on Da Beat:

That was me an opportunity to come down that was the like, one of the most genuine things any exec could do for real, for real, just pull up. You feel me? So I, I flew down, me and my, my manager at the time. C was we drove to the qc joda, joda, qc. Now the studio was like state of the art it was out the way. State of the art it was out the way. I'm from Philly, I've been in Atlanta, but going to QC it was almost like a dream come true. Like damn, what am I doing here?

Realla:

Yeah, so he was active too, you get to the call box.

Brizzy on Da Beat:

Tell your name Brizzy on the beat Okay scale. I'm like damn All right, boom. Okay scale inside, I'm like damn All right, boom. I had seen this this. As soon as we drove in, I seen this truck. I think it was JT's truck, I think it was a truck that she was gifted, and I'm just like Lil Uzi truck, the G-Wagon.

Kash:

It was a G-Wagon, Lil Uzi brought it in.

Brizzy on Da Beat:

Yeah, seen the truck somewhere right. So I'm just, I'm just soaking it all in like this is a crazy moment. So we end up going inside to the studio and they put me in the same room where I think little baby made the freestyle record shout out my name.

white boi:

That's my shit too. I'm just in that. I was in that room. That's one of my favorites.

Brizzy on Da Beat:

That room was like.

Realla:

I instantly seen the video, so.

Brizzy on Da Beat:

I just appreciate people come up.

white boi:

Yeah, me too the journey man.

Brizzy on Da Beat:

I'm in there. I'm nervous as hell. Bro, they don't even know it, I'm just making beats you, feel me I didn't know what I was doing, and then you know.

Brizzy on Da Beat:

Bueno, had me in there writing songs. I was coming up with songs but I wanted to make beats. So the engineer Shout out to my brother Knock, who I made the beat with, right, okay, but no, bars Is not produced fully by Brizzy on the beat. It was produced by Brizzy on the beat and my boy Knock. Good dude, yeah, good, solid dude man. He ended up Peeping that I need. I think it was like my second day there. He came through, he rolled up. He was like I got some melodies, bro, let me send you some shit. I'm like, yeah, go ahead. As soon as I heard that it was like slowed down. I'm like, oh, let me speed this joint up real quick Because, mind you, I was locked in with Sada Baby for so long.

Brizzy on Da Beat:

Right. Also Helluva the producer. I was listening to a lot of his beats too, trying to understand the sound Because I just love it Tee Grizzly made him hot yeah, Shout out to Tee Grizzly man. It'll definitely be a dream come true to lock him in.

white boi:

Get one good room Y'all day coming.

Kash:

Shout out Teerizzly that nigga got a Timbaland produced album and people act like it just never happened. Timbaland produced this whole album.

white boi:

What the one with 101? The new one right it's called Activated. That shit came out years ago.

Kash:

Yeah, I remember that People just act like it never happened.

Brizzy on Da Beat:

That shit was hard, that shit crazy. I just started doing my homework. I just started doing my homework.

Kash:

Can't be upset with the people, that shit, just let you know what direction we really headed in. Feel me, If somebody don't say this shit, I mean.

Realla:

I put it on Griselda it's the brother of the most podcasts. Say it, man.

Kash:

I think Griselda is making people want to rap again.

Brizzy on Da Beat:

Facts. They're part of the culture. They're part of the culture Griselda and all his rap beef shit.

Kash:

They made it Like Drake and Kendrick and all of them.

Brizzy on Da Beat:

Yeah, yeah, they made it. Griselda definitely made it like.

white boi:

Cool to be rapping.

Brizzy on Da Beat:

Yeah, you know.

white boi:

However, old they are. You know, to me Like no.

Brizzy on Da Beat:

Right, you know, grown we come from that era a little bit Absolutely. You feel me, so we appreciate stuff like that Absolutely. There's still a lot of people that still appreciate me, so look right.

Kash:

So, so, as Briz said, stream no Bars, no Bars, jt no Bars. Produced by Philly Zone, brizzy on the beat. Co-produced Brizzy. Wow the beat co-produced Brizzy Now let me bring it back to the city, man, real quick, because me and you talked about this already like a month ago and even then I was like awesome, damn bro, that shit. But now it's even crazier now because now this nigga done put out a project.

white boi:

That shit crazy.

Kash:

And I tell you like I got DMs with bro all the way. I let him know.

white boi:

That's some of the hottest shit I heard this year.

Kash:

I ain't gonna hold you bro.

white boi:

I'm really not gonna lie to you, bro. That last shit that they just dropped, that's some of the hottest shit I heard this year, bro.

Kash:

I'm not even going to lie to you, bro. I'm going to keep it all the way real with you, bro. That's the best shit I heard since one of Quilly tapes, bro. I'm talking about Hain Street.

Brizzy on Da Beat:

Shout out to Kyle from Jerome man I'm talking about like.

Kash:

Hain Street Hustler 6.

white boi:

Oh, that shit hot.

Kash:

Was the last thing I heard from Philly, where I was like nah, nah, Kora got some shit too.

white boi:

Yeah, Kora just dropped some shit too.

Kash:

But bro, I'm Bro. If you give me just another move up day and thorough, I'm bumping a car, bro, damn, I am. And it ain't even on no favoritism shit. I've been a fan for court since, like bro, that young boy, bro no I like, yeah, he like he on some shit bro, that young boy really like.

Realla:

Can you break down why? Because like because bro like all right, put it like this like the way he put the album, his project, together, people don't normally do that anymore, even his previous shit.

Kash:

I'm just talking about this one because Brad's here, right, right right right, right, right. But this is why I feel as though he hotter than everybody right now. First of all, he from Huntington Park, jerome Street. I know a lot of people From that block, bro. Y'all know Kai got shot like 20 times. None of y'all knew that.

Realla:

Nah, I don't know his background. We need to bring him up here. No, he rap, he rap about it.

Kash:

So this when he say niggas, then put me on the news. You know a lot of people say you know what I'm saying? No, he got shot a bunch of times, though Right, and mixed with that, mixed with not being cool with your day ones.

white boi:

I heard about all that, All that bro.

Kash:

And one when niggas rap about shit like that they don't know how to present it and deliver it. Like niggas can have a crazy ass story right and then when they step in the booth they talk about whole other shit like that don't got nothing to do about their life. Like you could tell bro really been through some shit and like he, he really speaking it when he, when he, when he's seeing these songs and all that just like on the album. Just another move up day. He got interludes, bro, nobody does that, no more. Like when it's an interlude and it's like a concept.

white boi:

They've been doing it lately, though. Who uh uh future, and I've got interlude philly, oh, philly, yeah, nobody does that.

Kash:

No no no, he's definitely been Super creative the most creative he been, he like one of the top hottest, like Not even, not even For sure, not even only the music.

Kash:

Now he's dropping content when it's like the Caucasian dude give you a file and then it's like you supposed to. That's what I wanted to ask you about. Like. So what I took from just another move up day is like like when you hear Two Gun Minimum and it and it is over it be like you know where you at right now. Stop talking that dumb shit. And then the next song is Slump that I Met, produced by you. So what I took From the album you probably ain't even Peeped this, but you did Cause you a part of it. What I peeped From the album is he having a move up day, but his past and everybody trying Pinning down. You feel me, you paid attention.

white boi:

Like that's what I'm saying, bro, you can't.

Kash:

Survivor's remorse. Take any Out Project from. That's what I'm saying, bro.

white boi:

You can't take any project from Philly and be like yo, I get what he was trying to do. Y'all go stream that project, man Go stream. That's his good kid, mad City yeah man.

Brizzy on Da Beat:

But here's the thing, the whole process behind that bro, he was, I would say bro, 100% behind that whole project, bro. But before it actually came into fruition, fruition, he already. He already had this in mind.

Brizzy on Da Beat:

But like our spirits connected, bro, like me and kyle, like we really cool, like that's my dog, like I don't get into his personal life, but when we get into this music, shit and just real life conversation and business and life we have solid conversations and this project was an idea that he had brought to me and I'm just like man. It's just sound like it needs. It's like a movie. You need interludes, you need to lock in with whoever you can shoot these videos with to bring out your vision. People need to see your vision like this is something that I don't remember really seeing from anybody in the city of philly. So I think you should do this, because I think a lot of his supporters come from the city a lot of the young bulls Up and coming, young bulls that's in middle school, high school, maybe even in college.

Brizzy on Da Beat:

They like, they tell me like Yo, bro, like there be people that be DMing me, like Yo, can you leak me this song? Like they really fuck with him. So I think this side of him Is something that people needed to see, and I was just happy.

Kash:

To be, a part of it. Man Shout out to Little Conference Room and shout out Marcus and Marquee Morris. That's who he signed to as promised, Entertainment too. That's who caught under the twins that play ball.

Realla:

That's who he under and shit.

Kash:

Shout out to them but yeah, that's who he under them two. But shout out to, I ain't gonna lie, I had to. I had to ask you this shit. Like oh yeah, it's free reign, because it's like Bro, get like. I don't even know no other producers on there, but you For real.

Brizzy on Da Beat:

You mentioned one. I think Nasty. Oh yeah Nasty. Yeah, yeah, yeah Nasty produced the whole tape.

Kash:

Yeah, yeah, yeah, yeah, that's why you produced the whole tape. Yeah, yeah, yeah, I'm tripping, I'm tripping. But yeah, I just wanted to like congratulate you on that, because that might have been the first thing that you ever did, like on some content stuff like you produced and he had you in a video and you going to rum and you feel me, you was a part of the whole process. You didn't just send beats.

Brizzy on Da Beat:

You feel what?

Kash:

You was a part of the whole process. You didn't just send beats.

Brizzy on Da Beat:

You feel what I'm saying? Yeah, but the blessing is this man it's about building relationships, bro. We built a real cool foundation where we can call each other on some normal shit Right, that's fire. He's a regular dude man, Good dude. Not regular but he's a regular dude Right and he just got a dream that he's really putting his all in and I support it because he's doing it.

Realla:

He's doing it.

Brizzy on Da Beat:

I can't help this man or save him. He's doing it Right, he's doing the same thing I was doing as a rapper, but I didn't really have like the he's smart man, kid's smart yeah. He's young doing it.

Kash:

Way above his.

white boi:

Before we wrap this up, when you did Make no Bars though, you and JT was in a room together. Absolutely not, absolutely not, no, nope.

Brizzy on Da Beat:

Okay, nope, nope, nope. We made the beat, we shopping the beat, we shopping the shit around you, feel me. And then one day Nock just hit me up and he just says yo, I just played the beat for JT, she did it.

white boi:

Oh shit.

Brizzy on Da Beat:

I was like she did the whole thing. He's like.

Realla:

I don't want no half of bars when he told me that she did the whole thing.

Brizzy on Da Beat:

I'm just like yes, when you told me she did the whole thing. I'm just like, yes, damn, she did the whole thing.

Realla:

I was like yes, bro, you just leave right there, that's it, that's it.

white boi:

Oh, that's it. Alright, that's it. That's all you needed to know. That's it, that's it, go ahead.

Realla:

Kour. Look, man, you want me to close out? Go ahead, kour. We ain't closing out yet. Though you want me to close out, go ahead, corey. We ain't closing out yet though because you got to do fast track, fast track, real quick. We just going to do five minutes. All right, we're going to do three Just three Five-minute fast track real quick, and then we close out Because he from Philly.

Kash:

All right, you do rappers, I'm going to do producers.

white boi:

All right, All right. So fast track. And since we from Philly, they probably going to be like more Philly based. You know what I'm saying. So my first one would be state property of major figures.

Kash:

State property.

Realla:

No, we need quiet back there, guys, eve or Miss.

white boi:

J.

Brizzy on Da Beat:

I mean, that was his personal answer. State property was for me.

Realla:

No, I just need quiet on the set because we try to make sure these things come out right.

white boi:

Eve or Miss J Eve, cassidy or Spade.

Brizzy on Da Beat:

I grew up. These are all people that I grew up listening to we all.

Realla:

did you know what I mean I?

Brizzy on Da Beat:

choose Cassidy. He was more from my, like you know, understanding. No, bro, we love Speed. Yeah, Speed them all, these are these are your.

Realla:

I respect Speed Right Bro by me even putting both of them together is all respect. It's all respect bro. It's all respect bro. I just like to do a little fast track Cassidy fire.

white boi:

He going to give you three producers.

Kash:

That's it, three. That's what you be doing.

white boi:

I mean, I gave him three, just three.

Realla:

You want to do a couple more, or that's it.

Kash:

That's cool All right, very cool, all right.

Brizzy on Da Beat:

DJ, dj Premier or DJ Quick. I like both of them, man, but I like DJ Premier.

white boi:

Yeah, I like DJ Premier Scratch. I like his scratching.

Kash:

All right, henry, fraud or Alchemist.

white boi:

Man, you getting dirty.

Brizzy on Da Beat:

I go with Alchemist Whoa.

Kash:

Over Harry Fraud. Over Harry Fraud.

Brizzy on Da Beat:

Now let me break it down. Alchemist Changed the game for me when he came out with that. Who'd you take? Yeah, that's that record. You feel me, I still bump that shit Every. Like like, like I still bump that shit Every.

Realla:

I still bump that.

Kash:

Yeah, Nina Sky Mobb Deep.

Brizzy on Da Beat:

And Alchemist. I never heard a beat like that.

Kash:

Yeah, that's Alchemist, man, alchemist is different, but that's A lot of.

white boi:

He's genius and I bet and listen. That's crazy.

Kash:

I bet y'all know A famous, famous, famous ass beat Alchemist me and nobody don't know he made it. I'll give y'all a hint.

Brizzy on Da Beat:

It's back then, like early 2000s, you mean like in my beat.

Kash:

This a beat. Nobody know Alchemist Me.

Realla:

I know what he talking about what I'm trying to think. I don't know the name of it, but I know what you talking about.

Kash:

You know the name of it, but go ahead, give me a next draw hold on, bro.

Realla:

You don't know, bro, I do, I do I do, don't bro say it, though.

white boi:

No, what are you talking about?

Kash:

we gonna make it oh yeah yes, bro, yeah, that's crazy.

white boi:

I didn't know that. He didn't make that. I didn't know, nobody don't know. How can this? I didn't know that, nobody don't know. No, he did. Alchemist made that beat. Alchemist didn't make that beat by himself, he did Like no, cold nothing.

Realla:

I think, he was in the video. Yo, he a fucking beast, yes, was he in the video.

Brizzy on Da Beat:

But anyway, dog he a beast bro.

Realla:

No, he's Larry Jones.

Brizzy on Da Beat:

He's a legend and his vibe different too. He's a legend, man, see I could do the Timbaland for real.

Kash:

I could do all that but I'm not going to.

white boi:

Don't do no cliche shit. It's one of the most bro.

Brizzy on Da Beat:

I'm not going to. I feel like Harry for her right. I feel like he's what you call it, bro.

Kash:

He's my top five producers of all time.

Brizzy on Da Beat:

I feel like with him. I feel like he's like an offspring of Alchemist in a sense, Like his beats Kind of remind me of that. So that was To me. I can. I think I can compare them.

Kash:

Okay, okay, alchemist, alchemist, alright boom.

white boi:

Shout out to Alchemist. I love Al.

Kash:

Hitboy or Madlib.

white boi:

I fucking love Hitboy bro.

Realla:

I fucking love Hit.

white boi:

Boy bro. I fucking love Hit Boy bro. That nigga sound.

Realla:

Is different, bro.

white boi:

I love that man, that's the one Real rap bro, I love Hit Boy bro, I love that nigga Hit Boy ain't light skin Nigga Hit Boy, I think he was talking about Hit Maker.

Kash:

Hit Maker, hit Maker Nah.

white boi:

Nah.

Realla:

Hit Boy, hit Boy different. I feel like I don't know why.

Kash:

I feel like I put you Something wrong, we gonna keep going With the producer.

Brizzy on Da Beat:

Hip maker fire. Hip boy's a legend, bro. Hip boy is crazy, hip boy's crazy.

white boi:

I love what hip boy Doing right now.

Kash:

Alright, southside or Metro.

white boi:

Metro.

Kash:

Y'all niggas Out your fucking mind. Alright, hold on.

Brizzy on Da Beat:

Southside Listen, y'all niggas be forgetting. That's cause.

Kash:

Metro Popping right now. Y'all niggas crazy.

Brizzy on Da Beat:

Southside bro.

white boi:

He is up there.

Brizzy on Da Beat:

With Lex Luger.

white boi:

And TM88.

Kash:

Y'all tripping bro.

white boi:

Southside bro Metro.

Kash:

Y'all know who I'm talking about. Right, I know who you talking about. I'm talking about Y'all Miami, baby, alright, southside or Metro, bro, damn, that's, I know you talking about Young Miami baby, All right Southside or Metro, bro Damn, that's a.

Realla:

That's a heavy one, that's tripping.

Brizzy on Da Beat:

But the reason why I go with Metro is because I relate to.

Realla:

Metro. I'm going with Southside all day.

Brizzy on Da Beat:

I relate to Metro Right. I feel like.

white boi:

I like.

Brizzy on Da Beat:

Southside though, but don't get it fucked up, dog, southside is a goat bro.

white boi:

Yeah, he a super goat In his own right bro, right facts. It don't take nothing away from nobody.

Brizzy on Da Beat:

That nigga produced a whole culture bro.

white boi:

Facts.

Brizzy on Da Beat:

Young, independent young boys. That's out here grinding. No facts A lot of people beats is hot because of Southside.

Kash:

No, that's a fact. I got one for you. Let's go. I got one for you.

Realla:

Let's go.

Kash:

I got one for you, og Mane or Benny X.

Brizzy on Da Beat:

I like Benny yeah.

Kash:

Benny Over OG Mane.

Brizzy on Da Beat:

They both fire. I'll just go with Benny Benny X carrying it. It man he doing it quietly. I haven't heard him Said a word.

white boi:

He don't talk he definitely don't talk, he just, he just working, he just working.

Brizzy on Da Beat:

And not saying Cuz ain't doing his thing either. But I like, I like Benny X Damn.

Kash:

Alright, one more, one more, one, one, one more, one One, one more.

Brizzy on Da Beat:

Nah, nah, nah, what's?

Realla:

up Fast track. They got it.

Kash:

Othello or Swaggiana.

Brizzy on Da Beat:

Damn bro.

white boi:

I ain't gonna lie, bro. That's crazy Cause I just start like I ain't gonna lie. I like Othello. I just start tapping into Othello, bro, he is fire. Othello or Swaggy I know, on some shit too, though you know what I'm saying. Yeah, man, they both really like on some shit.

Realla:

It's hard to pick out of them too. I like when a producer answers this is funny.

Brizzy on Da Beat:

Othello is carrying it in his own way, he in his own lane, he's in his own lane.

Realla:

Shout out to him.

white boi:

He's carrying it bro, so who you choosing?

Realla:

We trying to find out what's going on Fast track.

Brizzy on Da Beat:

I got to go with swag, swag.

Realla:

Yeah, swag.

Kash:

That's the wrap up to fast track man, man we appreciate you, bro.

white boi:

We got you. We appreciate you, bro. You gave us your life, you gave us your story, bro, and you ain't rush us through. You was Bro, bro, you my man, bro, appreciate you Skay.

Realla:

No bullshit bro. Y'all already know man.

white boi:

Alright, Appreciate you.

Brizzy on Da Beat:

Ski. No bullshit, bro. Y'all already know man All right.

Realla:

You got anything coming up that we should know about, or you want to talk to your fans, actually, and just let everybody know what you got and you're working on, or anything they should probably go ahead and listen to or go ahead and stream right now.

Brizzy on Da Beat:

Man just follow me on Instagram. Man Brizzy on the beat.

Realla:

Brizzy on the beat.

Brizzy on Da Beat:

You know Twitter. This is Briz. We got a lot of stuff coming, man. I just started my own production company called 17 Music Group.

Realla:

Right.

Brizzy on Da Beat:

We just signed our first producer, you know, skillz. He's about to go crazy. You're going to hear a lot of stuff From him coming soon. Um, you know, shout out to everybody that's chasing their dream. Thank you for all the support. Appreciate y'all having me man.

Realla:

Yo man, we done got the whole Brizzy story On Rilla, the Most Podcast we appreciate you, bro. Thank y'all for having me, man you already know, man, we gonna wrap this up. It's the Rilla the Most Podcast.

white boi:

I'm.

Realla:

Rilla.

Kash:

I'm Cash man.

Realla:

White boy D2E baby and we are out of here. We got a person you want to beat in here, man we out Facts we out.

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