In this conversation, Valerio Mastandrea discusses his film 'Feeling Better', which premiered at the Venice Film Festival. The film thematically explores love, emotional awakening, and authenticity within the creative process. Past cinema inspirations include Sofia Coppola’s ‘Lost in Translation’.
Valerio reflects on his transition from acting to directing, the need for bravery in choosing film roles, the significance of audience connection, and the communal experience of watching films. Also discussed is the importance of collaboration in cinema, and the challenges faced in the Italian film industry, which faces practical challenges but has artistic potential.
Valerio enjoys engaging with audiences to understand their reactions, finds joy in learning, and dedicates his new film ‘Feeling Better’ to his father, who embodied love.
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In this conversation, Oscar-nominated Scandar Copti discusses his latest film 'Happy Holidays', which just won the Orizontti Award for Best Screenplay at the Venice Film Festival. His past inspiration includes Alexander Nanau’s 2014 Docu-drama ‘Toto and His Sisters’ and Brazilian doc ‘Bus 174’.
Scandar shares the creative process behind his film and the unique approach he takes in filmmaking, such as casting non-professional actors, and filming chronologically, which allows actors to experience deeper emotions as their characters would.
Scandar emphasizes the need to understand the human experience in storytelling, the value in embracing imperfections, and how the normalization of suffering is a central theme in his work.
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In this conversation, Peter Kerekes, Slovakian director of the Venice-bound documentary ‘Wishing On a Star’, shares valuable insights and inspirations, including Ulrich Seidl’s ‘Losses to Be Expected’ and Italian comedies from the 1970s.
Peter shares his journey into poetic documentary filmmaking, the influence of his filmmaker father's experiences, the importance of humor in his films, and the process of developing and editing documentaries.
He emphasizes the significance of character development, the impact of travel on personal transformation, the role of teaching in shaping future filmmakers, and the future of documentaries.
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In this conversation, Deepak Rauniyar - director of ‘Pooja, Sir’, which just premiered at the Venice Film Festival - shares how he found inspiration in Akira Kurosawa’s ‘Stray Dog’, and the 2019 French film ‘Les Misérables’ by Ladj Ly.
Deepak discusses his journey from journalism to filmmaking, inspired by personal experiences and the socio-political landscape of Nepal. He emphasizes the importance of cultural representation in cinema, the struggles that shape creativity, and the role of community and mentorship in the filmmaking process.
Deepak also highlights the value of openness to criticism and the importance of connectivity in the industry.
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In this conversation, Nathan Tape shares his experiences making ‘Off Ramp’, now in cinemas after its World premiere at the prestigious Polish genre festival Splat!FilmFest, followed by the New Orleans Film Festival. Nate’s biggest inspiration: David Lynch’s 1990 film ‘Wild at Heart’ starring Nicolas Cage and Laura Dern.
Nathan dives into the making of his film ‘Off-Ramp’, a film about Juggalos, the super fans of the Insane Clown Posse, and their sense of community and chosen family, sharing that he wanted to make a road trip movie that explores the meaning of friendship and belonging.
Nathan and Marcus also reflect on their time working together on big film sets in New Orleans, which provided valuable experience and opportunities for growth as a filmmaker, such as building relationships in the industry and coming to understand how resilience and perseverance are key qualities for success. Also, each filmmaker has their path and timeline, so it's important to embrace your journey, and that the satisfaction of completing a film and seeing it come to life far outweighs the challenges and setbacks along the way.
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On today’s episode, Elliott Lester talks about his latest film ‘The Thicket’, starring Peter Dinklage and Juliette Lewis, and shares his inspirations from movies like 'The Rocky Horror Picture Show', 'Midnight Cowboy', and the works of Martin Scorsese. He also discusses his experience working with global stars such as Arnold Schwarzenegger and Jason Statham.
Elliott speaks on Tubi as a production partner and distribution platform, the challenges of making and distributing films in today’s landscape, the value of audience feedback, and the impact of awards and reviews. He also shares his casting process and the importance of finding the right actors for a role.
Elliott offers advice on creating a collaborative and enjoyable atmosphere on set and reflects on his journey in the industry.
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Today’s episode features Vincent Grashaw and his new film 'Bang Bang', screening this week at the Deauville Film Festival following Locarno and Tribeca. Past inspiration includes ‘The Wrestler’, and we share an appreciation for Spike Lee’s ‘He Got Game’.
Vincent talks about his connection to boxing, his casting techniques, shooting on ultra-wide lenses, and the unsung process of color grading. He also discusses his previous films and the challenges of making low-budget indie movies, emphasizing the importance of taking control of your destiny and to never give up.
Vincent shares the common themes in his films, such as friendship and the impact of relationships, and we talk about the current state of the Hollywood film industry and the need for a material renaissance.
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In this conversation, filmmaker Dương Dược Linh discusses her journey into filmmaking and her fascination with the body horror genre, ahead of her feature debut, ‘Don't Cry Butterfly’, which is premiering at Venice Critics Week followed by the Toronto International Film Festival.
Being inspired by such past body horrors ‘Possession’, directed by Andrzej Żuławski and ‘Species’ by Roger Donaldson, Dương explores the generational trauma and internalized misogyny experienced by middle-aged women in Vietnam and shares her interest in understanding how things work underneath led her to explore the inner emotions of characters through body horror.
She also speaks on her excitement about premiering at Venice Critics Week, and shares some of the unique marketing ideas she and her team have planned for the festival.
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Marcus speaks with Freddy Macdonald about his debut feature film 'Sew Torn', just screened at Locarno, following a World premiere at South by Southwest. Drawing inspiration from the 1998 German film ‘Run Lola Run’ as well as ‘No Country For Old Men’ (2007), Freddy speaks on the great fortune of sitting down with one of the directors of the latter film - Joel Cohen - who encouraged him to keep going, and to turn his short into a feature.
The conversation also touches on Freddy’s experience filming in Switzerland, making a movie with his dad, unconventional shooting methods and practical effects, and the value of creating a short film first that can lead the way to becoming a feature film later.
Other topics include the importance of managing expectations, the role of champions in the industry, and the vulnerability of sharing one's work.
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Marcus speaks with Bálint Szimler about his feature film ‘Lesson Learned’, which just premiered at the Locarno Fim Festival. The discussion also touches on the films that most inspired him - 'Play' by Ruben Östlund and 'Family Nest' by Béla Tarr.
Bálint dives in to the inspiration behind his film, and the challenges of the Hungarian educational system. He also talks about his approach to storytelling and the importance of realistic and character-driven films. He shares insights into his scriptwriting process, the use of improvisation in his films, the importance of passion and dedication, and the collective effort of the cast and crew. Bálint also speaks on the significance of honoring the craft, and the decision to shoot on 16mm film - collaborating with cinematographer Marcell Rév of Euphoria fame.
The conversation also touches on the themes of living in the moment, the value of limitations, the rewards of filmmaking, and challenging the systems in place.
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Today I speak with my friend and exceptional filmmaker Ellie Foumbi, about her Independent Spirt Award-nominated 'Our Father The Devil,' which is now on the Criterion Channel following a premiere at last year’s Venice International Film Festival. We also discuss the influence of Andrea Arnold’s film 'Red Road' (2006) on her work.
We reminisce about our initial meeting and collaboration in 2012, mutual connections in the industry, and Ellie's process of making an effective micro-budget thriller - which involves the balance of intrigue, character development, and a clear antagonist to create tension and engage the audience.
Ellie shares her thoughts on the future of cinema, the significance of her work being featured on Criterion, and the importance of patience and honing one's skills through short films and workshops.
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Today I speak with Mumbai-based director Nikhil Nagesh Bhat about his kick-ass action film ‘Kill’, which premiered at TIFF last year and is now globally distributed by Lionsgate. We discuss Nikhil’s journey into the film industry, from watching Indian action films on television as a child, and his love for James Cameron’s ‘Aliens’.
He shares his experiences with rejection and the importance of patience and persistence in filmmaking. The conversation also touches on the financing and production of his latest film ‘Kill’ and the challenges and excitement of premiering at film festivals.
Nikhil expresses his belief in underdog stories and aims to create films that combine thrilling action with humor and emotional depth. He also shares his desire to remake Paul Verhoeven’s 'RoboCop'.
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In this episode, I speak with Zhengfan Yang about his film 'Stranger’, which just won the Grand Prix prize in the Proxima Competition at Karlovy Vary. We also discuss his past cinema inspiration, ‘A One and a Two’, the 2000 film by Taiwanese filmmaker Edward Yang.
Zhengfan talks about the challenges of shooting his film in 7 total shots, each in a different hotel room, and the importance of the setting and space as a character. He emphasizes the importance of sticking to his original concept of shooting long takes and the pressure to find the right beginning and end for each take.
Zhengfan shares his experience with financing and the long process of securing funding from various different countries. He reflects on the changing landscape of cinema and the challenges of having his films seen by a wide audience. He also shares filmmaking advice - to stay true to your vision and make the most honest film possible.
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On today’s episode, I had the pleasure of speaking with Bruno Anković about his new film ‘Celebration’, which premiered at this years Karlovy Vary International Film Festival in the Crystal Globe competition. We dive into the themes and storytelling techniques used in ‘Celebration’, which explores the cyclical nature of history and the challenges of portraying the passage of time through different actors.
We also discuss Bruno’s cinema influences, including Michael Haneke’s ‘The White Ribbon’ (2009) and Jim Sheridan’s ‘The Field’ (1990). Other past inspiration includes the Croatian films ‘Handcuffs’ (Croatian title - “Lisice”), dir. Krsto Papić (1969) and ‘The Birch Tree’ (Croatian title - “Breza”), dir. Antę Babaja (1967).
The discussion also provides insights into Bruno’s creative process and the connection between personal experiences and artistic expression. It explores the challenges of making a film that tackles sensitive topics and the importance of creating dialogue and understanding. Bruno discusses the political and social context of the Balkans region and the ongoing tensions that exist. His film ‘Celebration’ aims to shed light on why young people can be drawn to extreme ideologies, and the impact of poverty and lack of education.
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On this week's episode, Marcus speaks with Russian filmmaker Anja Kreis, who shares her perspectives on Russia, the global allure of Hollywood, and the process of making her latest film 'The Alienated', which is World premiering at Karlovy Vary on July 2nd.
With its themes of mortality, dreams, and sisterhood, 'The Alienated' draws inspiration from David Lynch's 'Mulholland Drive'. She also shares her childhood fascination with Brazilian and Argentinian telenovelas, being drawn to the simple human relationships and dramatic themes portrayed in these series. They discuss the effectiveness of simple human stories, and Marcus compares her own dream as a filmmaker to Naomi Watts' character in 'Mulholland Drive'.
Anja also discusses her journey from studying German language and literature to pursuing a career in filmmaking. She talks about the challenges of getting a second education in Russia, and the differences between German and Russian film cultures, highlighting the emphasis on personal stories and authenticity. She talks about the Russian filmmakers who have inspired her the most and the frustration of receiving negative feedback from distributors. Anja expresses her desire to have her films seen by large audiences, and the importance of mental health while pursuing a career in filmmaking.
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Filmmaker George Sikharulidze joins Marcus from Tbilisi, Georgia to discuss his feature film debut 'Panopticon', which is World Premiering at the prestigious 58th Karlovy Vary International Film Festival on June 30th at The Grand Hall, and competing for the festival's top prize: the Crystal Globe.
A variety of topics include the influence of Francois Truffaut's 'The 400 Blows', the importance of honesty in filmmaking, the concept of Panopticism, and the value of making the films you regret. Other topics include the experience of watching one's own film, the challenges of making a feature film compared to shorts, the value of film labs and festivals, and the difficulties of the Georgian Film Center.
George emphasizes the importance of serving the story and removing oneself as a director.
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In this week’s episode, we have Swedish-born, Brooklyn-based Jean-Cosme Delaloye, who shares his early days as a reporter and his transition into documentary filmmaking, having been inspired by the 2016 film ‘Tempestad’ and most recently, Oscar-winning short doc ‘The Last Repair Shop’. He talks about how his experiences covering sad stories led him to find refuge in techno music, which inspired his latest film 'Desire: The Carl Craig Story’, which is World Premiering on June 12th with the Tribeca Film Festival, at the Indeed Theater.
Jean-Cosme breaks down his approach to storytelling, focusing on the emotional impact rather than just delivering information. He also highlights the importance of collaboration with his director of photography and editor, the role of the director in maintaining objectivity, how documentary filmmaking requires patience, generosity, and building trust with subjects, and how taking the time to listen and allowing the story to unfold naturally can lead to powerful moments.
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Marcus interviews Carlos Vargas from Berlin, who is premiering his film “Hidden Era” at the Tribeca Film Festival on June 9th at the Village East. They discuss Carlos’s previous experience at Tribeca, his expectations for this year's festival, and the importance of the New York film scene. They also talk about his film, Hidden Era, and its similarities to the French movie "The Beautiful Troublemaker". They touch on the challenges of being a filmmaker and the joy of creating art.
Overall, the conversation highlights the passion and dedication required to be a filmmaker, the value of shooting with natural light, and the concept of transcendental cinema. They also discuss the importance of simplicity and authenticity in storytelling and finding the right people to champion your project.
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Marcus speaks with Beirut-born Mira Shaib about her film "Arze", a Lebanese production that explores universal themes of family, abandonment, and societal issues. Mira discusses the World Premiere of the film at the Beijing International Film Festival, the upcoming North American premiere at Tribeca on June 11th (Village East) followed by Cairo International, and the importance of translating the story for an international audience.
She also shares her inspiration for quest stories like “2 Days 1 Night” from the Dardenne brothers, and their documentary-style approach to filmmaking. Mira talks about her journey as a filmmaker, influenced by her brother and her love for movies. She emphasizes the value of authenticity in storytelling and the challenges of addressing sensitive topics in Lebanese cinema.
The journey of creating her movie was a long and challenging one, However, she persevered and the movie is now being screened at major festivals around the World.
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Marcus speaks with Mexico City filmmaker Santiago Maza, who shares his insights on documentary filmmaking and his inspired appreciation for the doc "Collective". Santiago's latest film "State of Silence", Executive Produced by Diego Luna and Gael García Bernal, World Premieres at the Tribeca Film Festival on June 10th and is followed by Sheffield DocFest and Guadalajara International Film Festival June 13th.
"State of Silence" highlights the importance of independent journalism in Mexico. The film aims to raise awareness and create change by humanizing the journalists and their stories, who face violence and threats for reporting on issues such as corruption and cartel-related activities. The filmmakers discuss the challenges faced by journalists in their line of work and the power of documentaries to spark change.
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Santiago Maza Stern discusses his love for documentary filmmaking and how he uses cinematic elements within the genre.
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Marcus Mizelle interviews Los Angeles-based filmmaker Roxy Shih about her journey in the film industry, what past films most inspired her ("The Umbrellas of Cherbourg", "The Shining"), and her latest film "Beacon" ahead of its World Premiere at the Tribeca Film Festival.
They discuss the challenges of being a filmmaker in the current Hollywood landscape, the importance of creative storytelling, and the impact of personal experiences on filmmaking. Roxy shares her passion for intimate stories and the need for more diverse representation in the industry. They also touch on the power of podcasting as a form of therapy and connection. Overall, the conversation explores themes of identity, creativity, and the human experience.
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